Deephaven and Selected Stories & SketchesJewett, Sarah Orne
General
Deephaven and Selected Stories & Sketches
Jewett, Sarah Orne
Maine -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
It had been a very good house in its day, and had a dignity of its own,
holding its gray head high, as if it knew itself to be not merely a
farm-house, but a Parsonage. The roof looked as if the next winter's
weight of snow might break it in, and the window panes had been loosened
so much in their shaking frames that many of them had fallen out on the
north side of the house, and were lying on the long grass underneath,
blurred and thin but still unbroken. That was the last letter of the
house's death warrant, for now the rain could get in, and the crumbling
timbers must loose their hold of each other quickly. I had found a dry
corner of the old shed for the horse and left her there, looking most
ruefully over her shoulder after me as I hurried away, for the rain had
already begun to spatter down in earnest. I was not sorry when I found
that somebody had broken a pane of glass in the sidelight of the front
door, near the latch, and I was very pleased when I found that by
reaching through I could unfasten a great bolt and let myself in, as
perhaps some tramp in search of shelter had done before me. However, I
gave the blackened brass knocker a ceremonious rap or two, and I could
have told by the sound of it, if in no other way, that there was nobody
at home. I looked up to see a robin's nest on the cornice overhead, and
I had to push away the lilacs and a withered hop vine which were both
trying to cover up the door.
It gives one a strange feeling, I think, to go into an empty house so
old as this. It was so still there that the noise my footsteps made
startled me, and the floor creaked and cracked as if some one followed
me about. There was hardly a straw left or a bit of string or paper, but
the rooms were much worn, the bricks in the fire-places were burnt out,
rough and crumbling, and the doors were all worn smooth and round at the
edges. The best rooms were wainscoted, but up-stairs there was a long,
unfinished room with a little square window at each end, under the
sloping roof, and as I listened there to the rain I remembered that I
had once heard an old man say wistfully, that he had slept in just such
a "linter" chamber as this when he was a boy, and that he never could
sleep anywhere now so well as he used there while the rain fell on the
roof just over his bed.
Public-domain text, read in full here on John Shaqi.
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