Defenders of Democracy: Contributions from representative men and women of letters and other arts from our allies and our own country, edited by the Gift book committee of the Militia of MercyMilitia of Mercy (U.S.). Gift Book Committee
History
Defenders of Democracy: Contributions from representative men and women of letters and other arts from our allies and our own country, edited by the Gift book committee of the Militia of Mercy
Militia of Mercy (U.S.). Gift Book Committee
Gift books; World War, 1914-1918; World War, 1914-1918 -- Gift books
There are other spiritual forces which we might have named, and which
would have manifested the same incontestable supremacy: there is
the energy of meekness, that spirit of docility which communes with
the Almighty in hallowed and receptive awe: there is the boundless
vitality of love which lives on through midnight after midnight,
unfainting and unspent: there is the inexhaustible energy of faith
which hold on and out amid the massed hostilities of all its foes.
You cannot defeat spirits like these, you cannot crush and destroy
them. You cannot hold them under, for their supremacy shares the
holy sovereignty of the eternal God. "Not by might, nor by power,
but by my Spirit, saith the Lord;" and these spirits, the spirit
of truth, the spirit of freedom, the spirit of meekness and love,
are in fellowship with the divine Spirit, and therefore shall they
remain unshaken.
[signed]J.H. Jowett
Somewhere in France
"Somewhere in France"--the day is tranquil, the sky unvexed, the
green earth without a wound as I write; yet "somewhere in France"
the day is torn with clamors, the sky is soiled with man's mounting
hatred of man, and long, open wounds lie cruelly across the disputed
earth. "Somewhere in France"--my mind goes back to remembered
scenes: the crowd blocking the approach to a depot; white faces
and staring eyes, eyes that alternately fear and hope, and in the
crush a tickling gray line of returning PERMISSIONAIRES. "Somewhere
in France"--on such a perfect day as this I see a little village
street nestled among the trees, and hear the sound of the postman's
reluctant feet tapping over the cobblestones--the postman that comes
with the relentlessness of Fate--and at every house the horror of
the black envelope. "Somewhere in France" the great immemorial
cathedrals and the dotted, cool, moss-covered churches are filled
with supplicating women and the black-framed, golden locks of
children lifting their eyes before the Great Consoler as the sun
breaks through the paling candle-flames. "Somewhere in France"--in
its crowded stations I remember a proud womanhood, gray in
the knowledge of sorrow, speeding its young sons and speaking the
Spartan words. "Somewhere in France," in its thousand hospitals,
the ministering white-clad angels are moving in their long vigils,
calm, smiling, inspired. "Somewhere in France"--I see again
imperishable fragments of remembered emotions; the women working
in the vineyards of Champagne, careless of fate or the passing
shells; the orphan children playing in the ruins of Rheims; a laughing
child in bombarded Arras running out to pick up an exploded shell,
a child in whom daily habits has brought fear into contempt; a
skeleton of a church in far-flung Bethany, that still lives in a
sea of fire, where a black-coated priest of the unflinching faith
was holding his mass among kneeling men before an altar hidden in
the last standing corner from which the shredded ruins had been
swept.
Public-domain text, read in full here on John Shaqi.
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