Defenders of Democracy: Contributions from representative men and women of letters and other arts from our allies and our own country, edited by the Gift book committee of the Militia of MercyMilitia of Mercy (U.S.). Gift Book Committee
History
Defenders of Democracy: Contributions from representative men and women of letters and other arts from our allies and our own country, edited by the Gift book committee of the Militia of Mercy
Militia of Mercy (U.S.). Gift Book Committee
Gift books; World War, 1914-1918; World War, 1914-1918 -- Gift books
Once I wrote a story of a woman's day in Paris, a Perfect Day. It
had to do with the buying of all the lovely trappings that are the
entrappings of the animal which Mr. Shaw believes woman endlessly
pursues. One of the animals was in the story, and there was food
and moonlight, music and adventure.
I never sold that marvelous tale. For years it has peeked out
at me from a certain pigeon hole in my desk with the anguish of
a prisoner in the Black Hole of Calcutta, and with as little hope
for its liberation into the glad air of a free press. Yet it is
with me now in Paris. In that last distracted moment of packing,
when all sense of what is needed has left one, it was thrust into
a glove case like contraband cigarettes. There may have been some
idea of remolding it with a few deceiving touches--make a soldier
of the hero probably--but with the "love interest" firmly remaining.
There was only one Perfect Day to a woman, I thought.
That was some weeks ago. I am now writing on the back of that
romance for lack of paper, writing of another day, wondering as
I work if the present day's adventures will have any quality that
might hold the reader's eye. I dare not ask for the reader's heart
when love does not stalk through the pages.
Paris is now an entrenched camp but one is not awakened by bugles,
and the beat of drums is unheard as the troops march through the
city. It was the regular "blump-blump" of military boots past
my window which possibly aroused me into activity, although the
companies crossing from station to cantonment no longer turn the
head of the small boy as he rolls his hoop along the Champs Élysées.
This troubles me, and I always go to the curb to watch them when
I am in the street.
There was an instant's hesitation before I pulled up the refractory
Venetian blind--the right rope so eager to rise, the left so
indifferent to its improvement--an instant's dread. I was afraid
"they" would be hopping about even this early in the morning,
hopping, hopping--the jerking gait of the mutilated--the little
broken waves of a sea of "horizon blue." But they must have been
just getting their faces washed at the Salon, where once we went
to see pictures and now find compositions more dire than the newest
schools of painting.
On the other side the stretch of chestnuts, the taxicabs, returned
to their original mission, were already weaving about in their
effort to exterminate each other. Battling at the Marne had been
but a slight deviation in their mode of procedure, yet when a cab
recently ran down and killed a bewildered soldier impeded by a
crutch strange to him, Paris raised its voice in a new cry of rage.
Beyond the Champs Élysées, far beyond, rose the Eiffel tower.
Capable, immune so far from the attacks of the enemy, its very
outlines seem to have taken on a great importance. Once the giant
toy of a people who frolicked, it now serves in its swift mission
as the emblem of a race more gigantic than we had conceived.
Public-domain text, read in full here on John Shaqi.
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