Defenders of Democracy: Contributions from representative men and women of letters and other arts from our allies and our own country, edited by the Gift book committee of the Militia of MercyMilitia of Mercy (U.S.). Gift Book Committee
History
Defenders of Democracy: Contributions from representative men and women of letters and other arts from our allies and our own country, edited by the Gift book committee of the Militia of Mercy
Militia of Mercy (U.S.). Gift Book Committee
Gift books; World War, 1914-1918; World War, 1914-1918 -- Gift books
There was a theater attached to the restaurant. Through the glass
doors we could see an iridescence of scant costumes, but the audience
was light, and we ourselves preferred, as a more satisfactory ending
to our day, to walk quietly toward the Arc de Triomphe which is
waiting, waiting for fresh glories. On the other side of this last
sheet of paper my lovers had so walked together. But upon looking
over their passionate adventures I have discovered, at last, why
the romance has never found a market. On one side and then on the
other I have read and reread the two experiences. Yes, I find the
LOVE-story curiously lacking in love.
[signed] Louise Closser Hale
Children of War
Not for a transient victory, or some
Stubborn belief that we alone are right;
Not for a code or conquest do we fight,
But for the crowded millions still to come.
This, unborn generations, is your war,
Although it is our blood that pays the price.
Be worthy, children, of our sacrifice,
And dare to make your lives worth fighting for.
We give up all we love that you may loathe
Intrigue and darkness, that you may disperse
The ranks of ugly tyrannies and, worse,
The sodden languor and complacent sloth.
Do not betray us, then, but come to be
Creation's crowning splendor, not its slave;
Knowing our lives were spent to keep you brave,
And that our deaths were meant to make you free.
[signed] Louis Untermeyer
Courtesy "Collier's Weekly."
Khaki-Boy
Where the torrent of Broadway leaps highest in folly and the nights
are riddled with incandescent tire and chewing gum signs; jazz
bands and musical comedies to the ticket speculators' tune of five
dollars a seat, My Khaki-Boy, covered with the golden hoar of three
hundred Metropolitan nights rose to the slightly off key grand
finale of its eighty-first matinée, curtain slithering down to
the rub-a-dud-dub of a score of pink satin drummer boys with slim
ankles and curls; a Military Sextette of the most blooded of Broadway
ponies; a back ground of purple eye-lidded privates enlisted from
the ranks of Forty-Second Street; a three hundred and fifty dollar
a week sartorial sergeant in khaki and spotlight, embracing a ninety
pound ingénue in rhinestone shoulder-straps. The tired business
man and his lady friend, the Bronx and his wife, Adelia Ohio, Dead
heads, Bald heads, Sore heads, Suburbanites, Sybarites; the poor
dear public making exit sadder than wiser.
On the unpainted side of the down slithering curtain, a canvas
mountain-side was already rumbling rearward on castors. An overhead
of foliage jerked suddenly higher, revealed a vista of brick wall.
A soldiers' encampment, tents and all, rolled up like a window shade.
The ninety pound ingénue, withholding her silver-lace flouncings
from the raw edges of moving landscape, high-stepped to a rearward
dressing room; the khaki clad hero brushing past her and the pink
satin drummer boys for first place down a spiral staircase.
Public-domain text, read in full here on John Shaqi.
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