Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
Hence, a journal of comprehensive criticism must first select its
reviewers with the greatest care and then print vouchers for their
opinions, which will be the names of the reviewers. Hence it must
open its columns to rebuttals or qualifications, so that the
reader may form his own conclusions as to the validity of the
criticism, and, after he has read the book, judge its critics.
All this is a world away from the anonymous, dogmatic reviewing of
a century ago, But who shall say that in this respect our practice
is retrograde?
It is a great and sprawling country, this America, with all manner
of men of all manners in it, and the days of patent medicines have
passed, when one bottle was supposed to contain a universal cure.
But in this matter of reading, which must be the chief concern of
those who support a critical journal, there is one disease common
to most of us that can be diagnosed with certainty, and one sure,
though slow-working, remedy, that can be applied. We are
uncritical readers. We like too readily, which is an amiable
fault; we dislike too readily, which is a misfortune. We accept
the cheap when we might have the costly book. We dislike the new,
the true, the accurate, and the beautiful, because we will not
seek, or cannot grasp, them. We are afflicted with that complex of
democracy--a distrust of the best. Nine out of ten magazines, nine
out of ten libraries, nine out of ten intelligent American minds
prove this accusation.
And the cure is more civilization, more intellectuality, a finer
and stronger emotion? One might as well say that the cure for
being sick is to get well! This, indeed, is the cure; but the
remedy is a vigorous criticism. Call in the experts, let them name
themselves and their qualifications like ancient champions, and
then proceed to lay about with a will. Sometimes the maiden
literature, queen of the tournament, will be slain instead of the
Knight of Error, and often the spectators will be scratched by the
whir of a sword. Nevertheless, the fight is in the open, we know
the adversaries, and the final judgment, whether to salute a
victor or condemn an impostor, is ours.
Thus, figuratively, one might describe the proper function in
criticism of a liberal journal of catholic criticism to-day. One
thing I have omitted, that its duty is not limited to criticism,
for if it is to be comprehensive, it must present also vast
quantities of accurate and indispensable facts, the news of
literature. And one prerequisite I have felt it unnecessary to
dwell upon. Unless its intent is honest, and its editors
independent of influence from any self-interested source, the
literary tournament of criticism becomes either a parade of the
virtues with banners for the favorites, or a melee where rivals
seek revenge. Venal criticism is the drug and dishonest criticism
the poison of literature.
THE RACE OF REVIEWERS
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