Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
As an editor, I confess that I view all this effusion with some
distrust. One plain fact stands high and dry above the discussion:
books are being published daily, and some one must tell the busy
and none too discriminating public what they are worth--not to
mention the librarians who are so engaged in making out triple
cards and bibliographies and fitting titles to vague recollections
that they have no time left to read. Furthermore, if reviewing is
a chore at worst, and at best a desire to gratify a craving for
the unappeasable, editing reviews is still more chorelike, and
seeking the unobtainable--a good review for every good book--is
quite as soul-exhausting as the creative instinct.
And, again as an editor, the perfect marriage of well attuned
minds is well enough as an ideal, but as a practicable achievement
I find myself more often drawn toward what I should call the
liaison function of a reviewer. The desire to be useful (since we
have excluded the desire to make money as a major motive) is, I
believe, an impulse which very often moves the reviewer. The
instinct to teach, to reform, to explain, to improve lies close to
the heart of nine out of ten of us. It is commoner than the
creative instinct. When it combines with it, one gets a potential
reviewer.
The reviewer as a liaison officer is a homelier description than
soul affinity or intellectual mate, but it is quite as honorable.
Books (to the editor) represent, each one of them, so much
experience, so much thought, so much imagination differently
compounded in a story, poem, tractate on science, history, or
play. Each is a man's most luminous self in words, ready for
others. Who wants it? Who can make use of it? Who will be dulled
by it? Who exalted? It is the reviewer's task to say. He grasps
the book, estimates it, calculates its audience. Then he makes the
liaison. He explains, he interprets, and in so doing necessarily
criticizes, abstracts, appreciates. The service is inestimable,
when properly rendered. It is essential for that growing
literature of knowledge which science and the work of specialists
in all fields have given us. Few readers can face alone and
unaided a shelf of books on radio-activity, evolution, psychology,
or sociology with any hope of selecting without guidance the best,
or with any assurance that they dare reject as worthless what they
do not understand. The house of the interpreter has become the
literary journal, and its usefulness will increase.
Public-domain text, read in full here on John Shaqi.
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