Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
It is a cruel story, cruel in its depiction of an almost worthless
society with just enough of the charm of the Restoration to save
it from beastliness; cruel in its unsparing analyses of man's sex
impulses (by all odds the most valuable part of the story); cruel
particularly because the ruined Lee Randon is a good fellow,
honester than most, kinder than he knows to individuals, although
certain that there is no principle but selfishness, and that it is
folly to limit desire for the sake of absolutes, like
righteousness, or generalities, like the human race. It is a cruel
study of women, for Fanny, the model of the domestic virtues, has
lost her innocent certainties of the triumph of the right and at
the first conflict with Cytherea becomes a common scold; cruel to
Savina Grove, who, in spite of her exquisiteness, is only a
psychoanalyst's problem; cruel to us all in exposing so ruthlessly
how distressing it is to live by stale morality, yet how
devastating to act with no guide but illusory desire.
All this is not new in outline. One can find the essence of this
story in monkish manuals. There the menace of Cytherea was not
evaded. There the weaknesses of man's sex were categoried with
less psychology but more force. What is new in Hergesheimer's book
is merely the environment in which his characters so disastrously
move and an insight into the mechanism of their psychology which
earlier writers lacked. I have called it a story of the age of no
innocence, but that would be the author's term, not mine; for
indeed his characters seem to display as naive an innocence as
Mrs. Wharton's of the laws of blood and will, and they know far
less of practical morality. The "Age of Moral Innocence" I should
rechristen Hergesheimer's book.
Critics will raise, and properly, a question as to the worth of
his materials. He is not studying a "ripe" society, as was Mrs.
Wharton, but the froth of the war, the spume of country clubs, the
trivialities of the strenuous but unproductive rich. This is a
just criticism as far as it goes, and it lessens the solidity, the
enduring interest, of his achievement. True, it was in such a
society that he could best pursue the wiles of Cytherea. He has a
right to pitch his laboratory where he pleases, and out of some
very sordid earth he has contrived some beauty. Nevertheless, you
cannot make a silk purse out of a sow's ear, skilled though you
may be.
Public-domain text, read in full here on John Shaqi.
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