Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
Few willingly part with the fresh impressionability of youth.
Sometimes, as I have already suggested, the faculties of sensation
become atrophied, if indeed they ever existed. I know no more
dismal spectacle than a man talking shop on a moonlit hill in
August, a woman gossipping by the rail of a steamer plunging
through the sapphire of the Gulf Stream, or a couple perusing
advertisements throughout a Beethoven symphony. I will not advance
as typical a drummer I once saw read a cheap magazine from cover
to cover in the finest stretch of the Canadian Rockies. He was not
a man, but a sample-fed, word-emitting machine. These people,
emotionally speaking, are senile. They should not try to read
poetry.
But most of us--even those who are outwardly commonplace,
practical, unenthusiastic, "solid," and not "sensitive"--lose our
youthful keenness with regret. And that is why poetry, except for
the hopelessly sodden, is a tonic worthy of a great price. For the
right poetry at the right time has the indubitable power to stir
the emotions that experience is no longer able to arouse. I cannot
give satisfactory instances, for the reaction is highly personal.
What with me stirs a brain cell long dormant to action will leave
another unmoved, and vice versa. However, to make clear my
meaning, let us take Romance, the kind that one capitalizes, that
belongs to Youth, also capitalized, and dwells in Granada or
Sicily or the Spanish Main. The middle-aged gentleman on a winter
cruise for his jaded nerves cannot expect a thrill from sights
alone. If it is not lost for him utterly, it is only because Keats
has kept it, in--
... Magic casements, opening on the foam
Of perilous seas, in faery lands forlorn, q and Nashe in--
Brightness falls from the air;
Queens have died young and fair.
Or consider the joy of travel renewed in Kipling's--
Then home, get her home, where the drunken rollers comb,
And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and
swing,
And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
Or the multitudinous experiences of vivid life that crowd the
pages of men like Shakespeare, or Chaucer, who thanked God that he
had known his world as in his time. Even in these shopworn
quotations the power still remains.
Public-domain text, read in full here on John Shaqi.
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