Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
No better proof of all this could be sought than the renaissance
in our own times of the reviews and the weeklies, probably the
most remarkable phenomenon in the history of American publishing
since the birth of yellow journalism. By the weeklies I do not
mean journals like _The Outlook_, _The Independent_, _Vanity Fair_,
which are merely special varieties of the typically American magazine.
I refer, of course, to _The New Republic_, _The Nation_, _The
Freeman_, _The Weekly Review_ in its original form, periodicals formed
upon an old English model, devoted to the spreading of opinion, and
consecrated to the propagation of intelligence. The success of
these weeklies has been out of proportion to their circulation.
Like the old _Nation_, which in a less specialized form was
their predecessor, they have distinctly affected American
thinking, and may yet affect our action in politics, education,
and social relations generally. They are pioneers, with the faults
of intellectual pioneers, over-seriousness, over-emphasis,
dogmatism, and intolerance. Yet it may be said fairly that their
chief duty, as with the editorial pages of newspapers, is to be
consistently partisan. At least they have proved that the American
will take thinking when he can get it. And by inference, one
assumes that he will take strong feeling and vigorous truth in his
literary magazines.
The reviews also show how the wind is blowing. The review, so-
called, is a periodical presenting articles of some length, and
usually critical in character, upon the political, social, and
literary problems of the day. The distinction of the review is
that its sober form and not too frequent appearance enable it to
give matured opinion with space enough to develop it.
Clearly a successful review must depend upon a clientele with time
and inclination to be seriously interested in discussion, and that
is why the review, until recently, has best flourished in England
where it was the organ of a governing class. In America, an
intellectual class who felt themselves politically and socially
responsible, has been harder to discover. We had one in the early
days of the Republic, when _The North American Review_ was founded. It
is noteworthy that we are developing another now and have seen _The
Yale Review_, the late lamented _Unpartisan Review_, and others join
_The North American_, fringed, so to speak, by magazines of excerpt
(of which much might be written), such as _The Review of Reviews_,
_Current Opinion_, and _The Literary Digest_, in which the function
of the review is discharged for the great community that insists
upon reading hastily.
Public-domain text, read in full here on John Shaqi.
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