Definitions: Essays in Contemporary Criticism [First Series]Canby, Henry Seidel
History
Definitions: Essays in Contemporary Criticism [First Series]
Canby, Henry Seidel
American literature -- 20th century -- History and criticism; Criticism; English fiction -- History and criticism
According to a less numerous but more clear-headed group of
enemies the Puritan is to be censured chiefly for the rigidity of
his conscience. He will not let us enjoy such "natural" pleasures
as mirth, love, drinking, and idleness without a bitter antidote
of remorse. He keeps books dull and reticent, makes plays
virtuously didactic, and irritates all but the meek and the godly
into revolt.
I am not an uncritical admirer of the Puritan, although I believe
he is more nearly on the side of the angels than is his opposite.
I deprecate the smug virtuosity which his kind often favor, I
dislike a vinegar morality, and am repelled by the monstrous
egoism of the idea that redeeming one's soul is such a serious
matter that every moment spared from contemplating the sins of
others or the pieties of oneself is irretrievably wasted.
But I object still more strongly to the anti-Puritans. Those
rebels who make unconventionality their only convention, with
their distrust of duty because they see no reason to be dutiful,
and their philosophic nihilism, which comes to this, that all
things having been proved false except their own desires, their
desires become a philosophy, those anti-Puritans, as one sees
them, especially in plays and on the stage, are an obstreperous,
denying folk that seldom know their own minds to the end of the
story. In fiction, distrusting what the Puritans call duty, they
are left gasping in the last chapter, wondering usually what they
are to do next; while the delightful lack of conscience that makes
the flappers audacious and the young men so unremorsefully naughty
leads to nothing at the end but a passionate desire to discover
some new reason for living (which I take to mean, a new
conscience) even if homes and social utility are wrecked in the
attempt.
Why has duty become so unpopular in American literature? Is it
because she is, after all, just what that loftiest if not most
impeccable of Puritans called her, stern daughter of the voice of
God? Is there to be no more sternness in our morals now we
understand their psychology, no voice commanding us to do this or
not to do that because there is a gulf set between worth and
worthlessness? Is it true that because we are not to be damned for
playing golf on Sunday, nothing can damn us? That because the
rock-ribbed Vermont ancestor's idea of duty can never be ours, we
have no duty to acknowledge? Is it true that if we cease being
Puritans we can remain without principle, swayed only by impulse
and events?
When these questions are answered to the hilt, we shall get
something more vital than anti-Puritanism in modern American
literature.
THE OLDER GENERATION
Public-domain text, read in full here on John Shaqi.
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