Comparative literature; Degeneration; Europe -- Intellectual life
The great poet of the Symbolists, their most admired model, from
whom, according to their unanimous testimony, they have received
the strongest inspiration, is Paul Verlaine. In this man we find,
in astonishing completeness, all the physical and mental marks of
degeneration, and no author known to me answers so exactly, trait
for trait, to the descriptions of the degenerate given by the
clinicists--his personal appearance, the history of his life, his
intellect, his world of ideas and modes of expression. M. Jules
Huret[119] gives the following account of Verlaine’s physical
appearance: ‘His face, like that of a wicked angel grown old, with
a thin, untrimmed beard, and abrupt(?) nose; his bushy, bristling
eyebrows, resembling bearded wheat, hiding deep-set green eyes; his
wholly bald and huge long skull, misshapen by enigmatic bumps--all
these give to his physiognomy a contradictory appearance of stubborn
asceticism and cyclopean appetites.’ As appears in these ludicrously
laboured and, in part, entirely senseless expressions, even the most
unscientific observer has been struck with what Huret calls his
‘enigmatic bumps.’ If we look at the portrait of the poet, by Eugène
Carrière, of which a photograph serves as frontispiece in the _Select
Poems_ of Verlaine,[120] and still more at that by M. Aman-Jean,
exhibited in the Champs de Mars Salon in 1892, we instantly remark the
great asymmetry of the head, which Lombroso[121] has pointed out among
degenerates, and the Mongolian physiognomy indicated by the projecting
cheek-bones, obliquely placed eyes, and thin beard, which the same
investigator[122] looks upon as signs of degeneration.
Verlaine’s life is enveloped in mystery, but it is known, from his own
avowals, that he passed two years in prison. In the poem _Écrit en_
1875[123] he narrates in detail, not only without the least shame,
but with gay unconcern, nay, even with boasting, that he was a true
professional criminal:
‘J’ai naguère habité le meilleur des châteaux
Dans le plus fin pays d’eau vive et de coteaux:
Quatre tours s’élevaient sur le front d’autant d’ailes,
Et j’ai longtemps, longtemps habité l’une d’elles...
Une chambre bien close, une table, une chaise,
Un lit strict où l’on pût dormir juste à son aise,...
Tel fut mon lot durant les longs mois là passés...
...J’étais heureux avec ma vie,
Reconnaissant de biens que nul, certes, n’envie.’
And in the poem _Un Conte_ he says:
...’ce grand pécheur eut des conduites
Folles à ce point d’en devenir trop maladroites,
Si bien que les tribunaux s’en mirent--et les suites!
Et le voyez-vous dans la plus étroite des boîtes?
Cellules! prison humanitaires! Il faut taire
Votre horreur fadasse et ce progrès d’hypocrisie’...
Public-domain text, read in full here on John Shaqi.
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