Comparative literature; Degeneration; Europe -- Intellectual life
The truth is that all Tolstoi’s idiosyncrasies could be traced to the
best-known and most often observed stigmata of higher degeneration. He
even relates of himself:[175] ‘Scepticism brought me at one time to
a condition nearly bordering on frenzy. I had the idea that besides
myself nobody and nothing existed in the whole world; that things were
not things, but presentations, which only became phenomenal at what
time I directed my attention to them, and that these presentations
disappeared at once when I ceased to think of them.... There were hours
when, under the influence of this fixed idea, I came to such a pitch
of mental bewilderment that I at times looked quickly the other way,
in the hope that in the place where I was not, I might be surprised
by nothingness.’ And in his _Confession_ he says explicitly: ‘I felt
that I was not quite mentally sound.’[176] His feeling was correct. He
was suffering from a mania of brooding doubt, observable in many of
the ‘higher degenerates.’ Professor Kowalewski[177] explains the mania
of doubt straight away as exclusively a psychosis of degeneration.
Griesinger[178] relates the case of a patient who continually brooded
over the notions of beauty, existence, etc., and put endless questions
about them. Griesinger, however, was less familiar with the phenomena
of degeneration, and therefore held his case as ‘one little known.’
Lombroso[179] mentions in the enumeration of the symptoms of his
maniacs of genius: ‘Almost all are taken up, in the most painful
manner, with religious doubts, which disturb the mind and oppress the
timid conscience and sick heart, like a crime.’ It is not, then, the
noble desire for knowledge which forces Tolstoi to be ceaselessly
occupied with questions concerning the aim and meaning of life, but
the degeneration-mania of doubt and brooding thought, which is barren,
because no answer, no explanation can satisfy them. For it is obvious
that be the ‘therefore’ never so clear, never so exhaustive, it can
never silence the mechanically impulsive ‘wherefore’ proceeding from
the Unconscious.
A special form of the phenomenon of scepticism and brooding thought is
a rage for contradiction, and the inclination to bizarre assertions, as
is noted by many clinicists--_e.g._, Sollier[180]--as a special stigma
of degeneration. It has appeared very strongly in Tolstoi at certain
times. ‘In the struggles for independence,’ relates Löwenfeld,[181]
‘Tolstoi frequently overstepped the limits of good taste, while he
combated tradition only because it was tradition. Thus he called ...
Shakespeare a scribbler by the dozen, and asserted that the admiration
... for the great Englishman ...has properly no other origin than the
custom of echoing strange opinions with thoughtless obsequiousness.’
Public-domain text, read in full here on John Shaqi.
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