Comparative literature; Degeneration; Europe -- Intellectual life
The work of Wagner which may be truly termed ‘the opera of redemption’
is _Parsifal_. Here we may catch Wagner’s mind in its most nonsensical
vagaries. In _Parsifal_ two persons are redeemed: King Amfortas and
Kundry. The King has allowed himself to become infatuated with the
charms of Kundry, and has sinned in her arms. As a punishment, the
magic spear which had been entrusted to him has been taken from him,
and be wounded by this sacred weapon. The wound gapes and bleeds
unceasingly, and causes him dreadful suffering. Nothing can heal it
but the spear itself which gave it. But ‘the pure fool who through
compassion knows’ can alone wrest the spear from the wicked magician,
Klingsor. Kundry, when a young maiden, had seen the Saviour on the path
of his Passion, and had laughed at him. As a penalty for her act she
is doomed to live for ever, longing in vain for death, and seducing
to sin all men who approach her. Only if a man is able to resist her
allurements can she be redeemed from her curse. (One man has, in fact,
resisted her, the magician Klingsor. Yet this victorious resistance
has not redeemed her as it ought. Why? Wagner does not reveal this by
a single syllable.) It is Parsifal who brings redemption to the two
accursed ones. The ‘pure fool’ has no inkling that he is predestined
to redeem Amfortas and Kundry, and he neither undergoes any suffering
nor exposes himself to any serious danger in accomplishing the act
of salvation. It is true that, in forcing his way into the enchanted
garden, he is obliged to have a small bout with its knights, but this
skirmish is far more a pleasure than an effort for him, for he is far
stronger than his adversaries, and, after some playful passes, puts
them to flight, bleeding and beaten. He certainly resists the beauty of
Kundry, and this is meritorious, yet it hardly constitutes an act of
deadly self-sacrifice. He obtains the magic spear without any effort.
Klingsor hurls it at him to slay him, but the weapon ‘remains floating
above his head,’ and Parsifal has only to stretch out his hand to take
it at his convenience, and then to fulfil his mission.
Public-domain text, read in full here on John Shaqi.
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