Comparative literature; Degeneration; Europe -- Intellectual life
These idiotic sequences of words are psychologically interesting,
for they demonstrate with instructive significance the workings of
a shattered brain. Consciousness no longer elaborates a leading or
central idea. Representations emerge just as the wholly mechanical
association of ideas arouses them. There is no attention seeking to
bring order into the tumult of images as they come and go, to separate
the unconnected, to suppress those that contradict each other, and to
group those which are allied into a single logical series.
A few more examples of these fugitive thoughts exclusively under the
rule of unbridled association. Here is one entitled _Bell-glasses_
(_Cloches de verre_):
‘O bell-glasses! Strange plants for ever under shelter! While the wind
stirs my senses without! A whole valley of the soul for ever still! And
the enclosed lush warmth towards noon! And the pictures seen through
the glass!
‘Never remove one of them! Several have been placed on old moonlight.
Look through their foliage. There is perhaps a vagabond on a throne;
one has the impression that corsairs are waiting on the pond, and that
antediluvian beings are about to invade the towns.
‘Some have been placed on old snows. Some have been placed on ancient
rains. (Pity the enclosed atmosphere!) I hear a festival solemnized on
a famine Sunday; there is an ambulance in the middle of the house, and
all the daughters of the king wander on a fast-day across the meadows.
‘Examine specially those of the horizon! They cover carefully very old
thunderstorms. Oh, there must be somewhere an immense fleet on a marsh!
And I believe that the swans have hatched ravens. (One can scarcely
distinguish through the dampness.)
‘A maiden sprinkles the ferns with hot water; a troop of little girls
watch the hermit in his cell; my sisters have fallen asleep on the
floor of a poisonous grotto!
‘Wait for the moon and the winter, among these bells, scattered at last
on the ice.’
Another called _Soul_ (_Ame_):
‘My soul! O my soul truly too much sheltered! And these flocks of
desires in a hot-house! Awaiting a storm in the meadows! Let us go to
the most sickly: they have strange exhalations. In the midst of them I
cross a battlefield with my mother. They are burying a brother-in-arms
at noon, while the sentries take their repast.
‘Let us go also to the weakest; they have strange sweats: here is a
sick bride, treachery on Sunday, and little children in prison. (And
further across the mist.) Is it a dying woman at the door of a kitchen?
Or a nun, who cleans vegetables at the foot of the bed of an incurable?
‘Let us go lastly to the saddest: (at the last because they have
poisons). O my lips accept the kisses of one wounded!
‘All the ladies of the castle are dead of hunger this summer in the
towers of my soul! Here is the dawn, which enters into the festival!
I have a glimpse of sheep along the quays, and there is a sail at the
windows of the hospital!
Public-domain text, read in full here on John Shaqi.
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