Comparative literature; Degeneration; Europe -- Intellectual life
Since Maleine loves Hjalmar and cannot forget him, they make their way
towards his father’s castle. Things are going very badly in Hjalmar’s
castle. There Queen Anne of Jütland resides, who has been driven away
by her subjects, and with her grown-up daughter Uglyane and her little
son Allan (here also the Dane is systematically given a Scottish name),
has found hospitality with King Hjalmar. Queen Anne has turned the head
of the old man. She has become his mistress, rules him completely, and
makes him ill in body and soul. She wishes that his son should marry
her daughter. Hjalmar is in despair about his father’s collapse. He
detests his morganatic step-mother, and shudders at the thought of a
marriage with Uglyane. He believes Maleine to have been slain with her
parents in the war, but he cannot yet forget her.
Maleine has in the meantime been wandering with her nurse through a
kind of enchanted forest, and through an incomprehensible village,
where she has uncanny meetings with all sorts of people, beggars,
vagabonds, peasants, old women, etc., interchanging odd talk, and
reaches Hjalmar’s castle, where no one knows her. She is, however, in
spite of this, at once appointed as lady-in-waiting to the Princess
Uglyane.
One evening Prince Hjalmar decides to make advances to Uglyane, and
with that object he gives her a nocturnal rendezvous in the park of the
castle, not a secret, but, so to speak, an official, lovers’ tryst, to
which he, with his father’s consent, and she, with her mother’s, is to
go. Maleine hinders it by telling Uglyane, who is splendidly attiring
and adorning herself, that Prince Hjalmar has gone into the forest
and will not come. She then goes herself into the park, and makes
herself known to Hjalmar, who arrives punctually. He leads her in great
delight to his father, who receives her as his future daughter-in-law,
and there is no further talk of his betrothal to Uglyane. Queen Anne
determines to get rid of the intruder. She behaves at first in a
friendly manner, assigns her a beautiful room in the castle, then
in the night she forces the King, who for a long time resists her,
to penetrate into Maleine’s room, where she puts a cord round the
Princess’s neck and strangles her. Signs and wonders accompany the
deed: a tempest forces open a window, a comet appears, a wing of the
castle falls in ruins, a forest bursts into flames, swans fall wounded
out of the air, etc., etc.
Next morning the body of the Princess Maleine is discovered. King
Hjalmar, whom the night’s murder has robbed of the last remnant of
reason, betrays the secret of the deed. Prince Hjalmar stabs Queen
Anne, and then plunges the dagger into his own heart. Thereupon the
piece closes thus:
NURSE. Come away, my poor lord.
KING. Good God! good God! She is waiting now on the wharf of hell!
NURSE. Come away! come away!
KING. Is there anybody here that fears the curses of the dead?
ANGUS. Ay, my lord, I do.
Public-domain text, read in full here on John Shaqi.
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