Comparative literature; Degeneration; Europe -- Intellectual life
The moral derangement of an ego-maniac, with or without perverted moral
instincts, will naturally manifest itself in ways varying according
to the social class to which he belongs, as well as according to his
personal idiosyncrasies. If he is a member of the disinherited class,
he is simply either a fallen or degraded being, whom opportunity has
made a thief, who lives in horrible promiscuity with his sisters or
daughters, etc., or is a criminal from habit and profession. If he is
cultivated and well-to-do, or in a commanding position, he commits
misdemeanours peculiar to the upper classes which have as their object
not the gratification of material needs, but of other kinds of craving.
He becomes a Don Juan of the drawing-room, and carries shame and
dishonour without hesitation into the family of his best friend. He is
a legacy-hunter, a traitor to those who trust in him, an intriguer, a
sower of discord, and a liar. On the throne he may even develop into a
rapacious animal, and to a universal conqueror. With a limited tether
he becomes Charles the Bad the Count d’Evreux and King of Navarre,
Gilles de Rais, the prototype of Blue Beard, or Cæsar Borgia; and,
with a wider range, Napoleon I. If his nervous system is not strong
enough to elaborate imperious impulsions, or if his muscles are too
feeble to obey such impulsions, all these criminal inclinations remain
unsatisfied, and only expend themselves by way of his imagination. The
perverted ego-maniac is then only a platonic or theoretic malefactor,
and if he embraces the literary career, he will concoct philosophic
systems to justify his depravity, or will employ an accommodating
rhetoric in verse and prose to celebrate it, bedizen it and present
it under as seductive a form as possible. We then find ourselves in
the presence of the literary phases called Diabolism and Decadentism.
‘Diaboliques’ and ‘décadents’ are distinguished from ordinary criminals
merely in that the former content themselves with dreaming and writing,
while the latter have the resolution and strength to act. But they have
this bond in common, of being both of them ‘anti-social beings.’[249]
Public-domain text, read in full here on John Shaqi.
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