Comparative literature; Degeneration; Europe -- Intellectual life
Professor Brentano here confounds first of all, with a lamentable
levity, what is evil and what is saddening--two wholly different
concepts. The death of a beloved being, for example, is saddening,
but there is nothing evil in it, _i.e._, immoral, unless, by a subtle
quibble, it is proposed to interpret as an immorality the action of
natural forces in the dissolution of the individual. Further, he gives
as an explanation what is only a perfectly superficial paraphrase--Why
do we take pleasure in evil? Because ...we have evidently in us a
tendency to take pleasure in evil! _Opium facit dormire quia est in
eo virtus dormitiva._ M. Fr. Paulhan has treated the question more
seriously, but neither do we get very far with him. ‘A contemplative,
broad, inquisitive, penetrating mind,’ he says,[270] ‘with profound
moral tendencies, which can nevertheless sink into oblivion in great
part during scientific research or æsthetic contemplation; sometimes
also with a slight natural perversion, or simply a marked tendency
towards certain pleasures, whatever they may be, which are not an evil
in themselves, and may even be a good, but of which the abuse is an
evil--such are the foundations of the sentiment (love of evil) which is
occupying us. The idea of evil, by flattering a taste, finds a solid
point of support; and there is one reason more why it is agreeable--in
that it satisfies, ideally, an inclination which reason hinders from
being satisfied really to satiety.’
Here again is this sequence of ideas revolving in a circle, like a
cat at play biting its tail: we have a taste for evil, because we
find a taste for evil. The intellectual ineptitude which M. Paulhan
here reveals is so much the more surprising in that, some pages
above, he came very near the true solution of the enigma. ‘There are
morbid states,’ he there says, ‘where the appetites are depraved; the
patient eagerly swallows coal, earth, or things still worse. There
are others in which the will is vitiated, and the character warped
in some point. The pathological examples are striking, and the case
of the Marquis de Sade is one of the most characteristic.... One
sometimes finds enjoyment in the evils suffered by one’s self, just
as in those of others. The sentiments of voluptuousness, sorrow and
pity, which psychology has studied, appear to betray sometimes a
veritable perversion, and to contain as elements the love of sorrow
for sorrow itself.... Often one has to do with people who desire
their own weal primarily, and then the woe of others. One or other of
these psychical states is visible in many cases of wickedness; for
example, in the fact of a rich manufacturer falsely accusing a young
man, who is going to marry, of being affected by a venereal disease,
and maintaining his assertion _for the pleasure_ of doing so ... or,
again, of a young villain who relishes the pleasure of theft to the
point of crying: “Even if I were rich, I should always like to steal.”
Public-domain text, read in full here on John Shaqi.
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