What embarrassment for us, the readers! Thus the author of _Gradiva_ has
made sport of us and decoyed us, as if by means of the refulgence of
Pompeiian sunshine, into a little delusion so that we may be milder in
our judgment of the poor man, whom the real noonday sun actually burns;
but we know now, after recovering from brief confusion, that Gradiva is
a living German girl, a fact which we wish to reject as utterly
improbable. Reflecting calmly, we now await a discovery of what
connection exists between the girl and the stone representation of her,
and of how our young archæologist acquired the fancies which hint at her
real personality.
Our hero is not freed so quickly as we from the delusion, for, “Even if
the belief brought happiness,” says our author, “it assumed everywhere,
in the bargain, a considerable amount of incomprehensibility.” (_G._ p.
102.) Besides, this delusion probably has subjective roots of which we
know nothing, which do not exist for us. He doubtless needs trenchant
treatment to bring him back to reality. For the present he can do
nothing but adapt the delusion to the wonderful discovery which he has
just made. Gradiva, who had perished at the destruction of Pompeii, can
be nothing but a ghost of the noon hour, who returns to life for the
noon hour of spirits; but why, after the answer given in German, does
the exclamation escape him: “I knew that your voice sounded like that”?
Not only we, but the girl, too, must ask, and Hanold must admit that he
has never heard her voice before, but expected to hear it in the dream,
when he called to her, as she lay down to sleep on the steps of the
temple. He begs her to repeat that action, but she then rises, directs a
strange glance at him, and, after a few steps, disappears between the
pillars of the court. A beautiful butterfly had, shortly before that,
fluttered about her a few times; in his interpretation it had been a
messenger from Hades, who was to admonish the departed one to return, as
the noon hour of spirits had passed. The call, “Are you coming here
again to-morrow in the noon hour?” Hanold can send after the
disappearing girl. To us, however, who venture a more sober
interpretation, it will seem that the young lady found something
improper in the request which Hanold had made of her, and therefore,
insulted, left him, as she could yet know nothing of his dream. May not
her delicacy of feeling have realized the erotic nature of the request,
which was prompted, for Hanold, only by the connection with his dream?
Public-domain text, read in full here on John Shaqi.
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