Bildungsromans; Germany -- Social conditions -- 1918-1933 -- Fiction; Young men -- Germany -- Fiction
I now began to paint a new picture, namely, that of the bird on the
crest. I could not recollect any more what it really looked like,
neither could I form a clear image of the whole, as even if one stood
directly in front of our door, the crest was scarcely recognizable, it
was so old and had several times been painted over. The bird stood or
sat on something, perhaps on a flower, or on a basket or nest, or on a
tree-top. I did not bother about that, and began with the part I could
picture clearly. In answer to a confused prompting, I began straight
away with strong colors; on my paper the head of the bird was golden
yellow. I continued my work at intervals, when I was in the mood for
it, and after a few days the thing was completed.
Now it was a bird of prey, with a sharp, bold hawk’s head. The lower
half of the body was fixed in a dark terrestrial globe, out of which
it was working to escape, as if out of a giant egg. The background was
sky-blue. The longer I gazed at the sheet, the more it seemed to me
this was the colored crest which I had visualized in my dream.
It would not have been possible for me to have written a letter to
Demian, even if I had known where to send it. But I decided, acting
under a suggestion which came to me in a dreamy sort of way, as under
all my promptings of that period, to send him the picture with the
hawk--whether it would reach him or not. I wrote nothing thereon, not
even my name. I carefully cut the border, bought a large paper cover
and wrote on it my friend’s former address. Then I sent it off.
The approach of an examination caused me to work harder than usual
in school. The masters had again received me into grace, since I had
suddenly changed my vile conduct. I was not, even now, by any means a
good pupil, but neither I nor anyone else seemed to remember that, half
a year before, my expulsion from the school had been imminent.
My father now wrote to me as formerly, adopting his old cheerful tone,
without reproaches or threats. Yet I had no impulse to explain to him
or to anyone how the change was brought about. It was merely chance
that this change coincided with the wishes of my parents and the
masters. It did not bring me into closer contact with the others but
isolated me still more. I myself was ignorant of the tendency of the
change in me, it might be leading me to Demian, to a distant fate. It
had begun with Beatrice, but for some time past I had been living in
quite an unreal world with my paintings and my thoughts of Demian, so
that she quite disappeared from my mind, as she did from my view. I
should not have been able to say a word to anyone of my dreams, of my
expectations, of the inner change realized in me, not even if I had
wished to do so.
But I had not the faintest desire ever to broach the subject.
CHAPTER FIVE
THE BIRD FIGHTS ITS WAY OUT OF THE EGG
My painted dream-bird was on its way, searching out my friend. An
answer came to me in the most curious manner.
Public-domain text, read in full here on John Shaqi.
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