She knew his devotion to her sister, but had long ago rejected this as a hopeless chance. There was a simplicity about Sybil's way of dealing with life, which had its own charm. She never troubled herself about the impossible or the unthinkable. She had feelings, and was rather quick in her sympathies and sorrows, but she was equally quick in getting over them, and she expected other people to do likewise. Madeleine dissected her own feelings and was always wondering whether they were real or not; she had a habit of taking off her mental clothing, as she might take off a dress, and looking at it as though it belonged to some one else, and as though sensations were manufactured like clothes. This seems to be one of the easier ways of deadening sorrow, as though the mind could teach itself to lop off its feelers. Sybil particularly disliked this self-inspection. In the first place she did not understand it, and in the second her mind was all feelers, and amputation was death. She could no more analyse a feeling than doubt its existence, both which were habits of her sister. How was Sybil to know what was passing in Carrington's mind? He was thinking of nothing in which she supposed herself interested. He was troubled with memories of civil war and of associations still earlier, belonging to an age already vanishing or vanished; but what could she know about civil war who had been almost an infant at the time? At this moment, she happened to be interested in the baffle of Waterloo, for she was reading “Vanity Fair,” and had cried as she ought for poor little Emmy, when her husband, George Osborne, lay dead on the field there, with a bullet through his heart. But how was she to know that here, only a few rods before her, lay scores and hundreds of George Osbornes, or his betters, and in their graves the love and hope of many Emmys, not creatures of the imagination, but flesh and blood, like herself? To her, there was no more in those associations which made Carrington groan in the silence of his thoughts, than if he had been old Kaspar, and she the little Wilhelmine. What was a skull more or less to her? What concern had she in the famous victory?