This state of affairs may be formulated by saying that the older humanism omitted economic and industrial conditions from its purview. Consequently, it was one sided. Culture, under such circumstances, inevitably represented the intellectual and moral outlook of the class which was in direct social control. Such a tradition as to culture is, as we have seen (ante, p. 260), aristocratic; it emphasizes what marks off one class from another, rather than fundamental common interests. Its standards are in the past; for the aim is to preserve what has been gained rather than widely to extend the range of culture. The modifications which spring from taking greater account of industry and of whatever has to do with making a living are frequently condemned as attacks upon the culture derived from the past. But a wider educational outlook would conceive industrial activities as agencies for making intellectual resources more accessible to the masses, and giving greater solidity to the culture of those having superior resources. In short, when we consider the close connection between science and industrial development on the one hand, and between literary and aesthetic cultivation and an aristocratic social organization on the other, we get light on the opposition between technical scientific studies and refining literary studies. We have before us the need of overcoming this separation in education if society is to be truly democratic. Summary. The philosophic dualism between man and nature is reflected in the division of studies between the naturalistic and the humanistic with a tendency to reduce the latter to the literary records of the past. This dualism is not characteristic (as were the others which we have noted) of Greek thought. It arose partly because of the fact that the culture of Rome and of barbarian Europe was not a native product, being borrowed directly or indirectly from Greece, and partly because political and ecclesiastic conditions emphasized dependence upon the authority of past knowledge as that was transmitted in literary documents.