That this superstitious dread led to the persecution of many innocent beings, who were supposed to be guilty of witchcraft, is too well known to require illustration: our own statute books are loaded with penalties against sorcery; at no very distant period our courts of law have been disgraced by criminal trials of that nature; and judges who are still cited as models of legal knowledge and discernment, not only permitted such cases to go to a jury, but allowed sentences to be recorded which consigned reputed wizards to capital punishment. In Poland, even so late as the year 1739, a Juggler was exposed to the torture, until a confession was extracted from him that he was a sorcerer, upon which, without further proof, he was immediately hanged; and instances in other countries might be multiplied without end. But this, although it exceeds in atrocity, does not equal in absurdity, the infatuation of the tribunal of the inquisition in Portugal, which actually condemned to the flames, as being possessed with the devil, a horse belonging to an Englishman, who had taught it to perform some uncommon tricks; and the poor animal is confidently said to have been publicly burned at Lisbon, in conformity with his sentence, in the year 1601. The only parts of Europe in which the arts of sorcery now obtain any credit, is Lapland; where, indeed, supposed wizards still practise incantations, by which they pretend to obtain the knowledge of future events, and in which the credulity of the people induces them to place the most implicit confidence. On such occasions a magic drum is usually employed. This instrument is formed of a piece of wood of a semi-oval form, hollow on the flat side, and there covered with a skin, in which various uncouth figures are depicted; among which, since the introduction of Christianity into that country, an attempt is usually made to represent the acts of our Saviour and the Apostles. On this covering several brass rings of different sizes are laid, while the attendants dispose themselves in many antic postures, in order to facilitate the charm; the drum is then beat with the horn of a rein-deer, which occasioning the skin to vibrate, puts the rings in motion round the figures, and, according to the positions which they occupy, the officiating seer pronounces his prediction. It is unfortunate that of all the books (and there were several) which treated of the arts of conjuration, as they were practised among the ancients, not one is now extant, and all that we know upon the subject is collected from isolated facts which have been incidentally mentioned in other writings. From these it would, however, appear, that many of the deceptions which still continue to excite astonishment, were then common.