Demonologia : $b or, natural knowledge revealed; being an exposé of ancient and modern superstitions, credulity, fanaticism, enthusiasm, & imposture, as connected with the doctrine, caballa, and jargon, of amulets, apparitions, astrology, charms, demonology, devils, divination, dreams, deuteroscopia, effluvia, fatalism, fate, friars, ghosts, gipsies, hell, hypocrites, incantations, inquisition, jugglers, legends, magic, magicians, miracles, monks, nymphs, oracles, physiognomy, purgatory, predestForsyth, J. S.
History
Demonologia : $b or, natural knowledge revealed; being an exposé of ancient and modern superstitions, credulity, fanaticism, enthusiasm, & imposture, as connected with the doctrine, caballa, and jargon, of amulets, apparitions, astrology, charms, demonology, devils, divination, dreams, deuteroscopia, effluvia, fatalism, fate, friars, ghosts, gipsies, hell, hypocrites, incantations, inquisition, jugglers, legends, magic, magicians, miracles, monks, nymphs, oracles, physiognomy, purgatory, predest
Forsyth, J. S.
Demonology; Superstition; Witchcraft
The exhibition of cups and balls is of great antiquity, and depends
entirely on manual dexterity. It is mentioned in the works of various
ancient authors, one of whom relates the astonishment of a countryman,
who, on first witnessing the performance, exclaimed, “that it was well
he had no such animal on his farm, for under such hands no doubt all his
property would soon disappear.”
Feats of strength have been common to all countries in every age. More
than fifteen hundred years ago, there were persons who excited
astonishment by the since ordinary exhibition of supporting vast weights
upon the breast, and of even suffering iron to be forged on an anvil
placed upon it. But these were mere tricks: to support the former, it is
only necessary to place the body in such a position, with the shoulders
and feet resting against some support, as that it shall form an arch;
and as for the latter, if the anvil be large and the hammer small, the
stroke will scarcely be felt; for the action and reaction being equal
and reciprocal, an anvil of two hundred pounds weight will resist the
stroke of a hammer of two pounds, wielded with the force of one hundred
pounds, or of four pounds with the impetus of fifty, without injury to
the body.
In the beginning of the seventeenth century, there was a German, who
travelled over Europe under the appropriate name of Sampson, and who
rendered himself celebrated by the uncommon strength which he displayed:
among many other extraordinary feats, it is said, that he could so fix
himself between two posts, as that two or even more horses, could not
draw him from his position. The same exploit was attempted not many
years back, in this country, by a person who placed himself with his
feet resting in a horizontal posture against a strong bar; only one
horse was employed, and the man was enabled to resist the entire force
of the animal, until both his thigh bones suddenly snapped asunder.
Another had the temerity to try the same experiment, and, in like
manner, broke both his legs. These instances clearly show, that apparent
strength is often nothing more than a judicious application of the
mechanical powers to the human frame; and from the catastrophe attending
the two latter may be deduced the anatomical fact, that the sinews of
the arms possess a greater power of resistance than the largest bones of
the body.
Feats of tumbling, rope dancing, and horsemanship, were practised at
very early periods. Xenophon mentions a female dancer at Athens, who
wrote and read while standing on a wheel which revolved with the
greatest velocity; but the manner in which this was performed is not
explained. Juvenal seems also to have alluded to a similar performance
at Rome, in that passage where he says:
“_An magis oblectant animum jactata petauro,
Corpora quique solent rectum descendere funem,
Quam tu._” _Sat._ xiv. v. 265.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account