Demonologia : $b or, natural knowledge revealed; being an exposé of ancient and modern superstitions, credulity, fanaticism, enthusiasm, & imposture, as connected with the doctrine, caballa, and jargon, of amulets, apparitions, astrology, charms, demonology, devils, divination, dreams, deuteroscopia, effluvia, fatalism, fate, friars, ghosts, gipsies, hell, hypocrites, incantations, inquisition, jugglers, legends, magic, magicians, miracles, monks, nymphs, oracles, physiognomy, purgatory, predestForsyth, J. S.
History
Demonologia : $b or, natural knowledge revealed; being an exposé of ancient and modern superstitions, credulity, fanaticism, enthusiasm, & imposture, as connected with the doctrine, caballa, and jargon, of amulets, apparitions, astrology, charms, demonology, devils, divination, dreams, deuteroscopia, effluvia, fatalism, fate, friars, ghosts, gipsies, hell, hypocrites, incantations, inquisition, jugglers, legends, magic, magicians, miracles, monks, nymphs, oracles, physiognomy, purgatory, predest
Forsyth, J. S.
Demonology; Superstition; Witchcraft
A Legend[79] was originally a book used in the old Romish churches,
containing the lessons that were to be read in divine service. Hence
also the lives of saints and martyrs came to be called legends, because
chapters were read out of them at matins, and in the refectories of the
religious houses. The GOLDEN LEGEND is a collection of the lives of the
Saints, compiled by James De Varasse, better known by the Latin name of
J. De Veragine, Vicar-General of the Dominicans, and afterwards Bishop
of Genoa, who died in 1298. It was received into the church with the
most enthusiastic applause, which it maintained for 200 years; but, in
fact, it is so full of ridiculous and absurd romantic monstrosities,
that the Romanists themselves are now generally ashamed of it. On this
very account alone the word Legend got into general disrepute.
The following is stated to be the origin of those ecclesiastical
histories entitled Legends:—The professors in rhetoric, before colleges
were established in the monasteries where the schools were held,
frequently gave their pupils the life of some saint for a trial of their
talent at _amplification_. The students, being constantly at a loss to
furnish out their pages, invented most of these wonderful adventures.
Jortin observes, that the Christians used to collect out of Ovid, Livy,
and other pagan poets and historians, the miracles and portents, so
found there, and accommodated them to their own monks and saints. The
good fathers of that age, whose simplicity was not inferior to their
devotion, were so delighted with these flowers of rhetoric, that they
were induced to make a collection of these miraculous compositions; not
imagining that, at some distant period, they would become matters of
faith. Yet when James De Veragine, Peter Nadal, and Peter Ribadeneira,
wrote the Lives of the Saints, they sought for the materials in the
libraries of these monasteries; and, awakening from the dust the
manuscripts of amplification, imagined they made an invaluable present
to the world, by laying before them these voluminous absurdities. The
people received these pious fictions with all imaginable simplicity; and
as the book is adorned with a number of cuts, these miracles were
perfectly intelligible to their eyes. Fleury, Tillemont, Baillet,
Launoi, and Ballendus, cleared away much of the rubbish. The enviable
title of _Golden Legend_, by which James De Veragine called his work,
has been disputed; iron or lead might more aptly express the character
of this folio.
Public-domain text, read in full here on John Shaqi.
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