Demonologia : $b or, natural knowledge revealed; being an exposé of ancient and modern superstitions, credulity, fanaticism, enthusiasm, & imposture, as connected with the doctrine, caballa, and jargon, of amulets, apparitions, astrology, charms, demonology, devils, divination, dreams, deuteroscopia, effluvia, fatalism, fate, friars, ghosts, gipsies, hell, hypocrites, incantations, inquisition, jugglers, legends, magic, magicians, miracles, monks, nymphs, oracles, physiognomy, purgatory, predestForsyth, J. S.
History
Demonologia : $b or, natural knowledge revealed; being an exposé of ancient and modern superstitions, credulity, fanaticism, enthusiasm, & imposture, as connected with the doctrine, caballa, and jargon, of amulets, apparitions, astrology, charms, demonology, devils, divination, dreams, deuteroscopia, effluvia, fatalism, fate, friars, ghosts, gipsies, hell, hypocrites, incantations, inquisition, jugglers, legends, magic, magicians, miracles, monks, nymphs, oracles, physiognomy, purgatory, predest
Forsyth, J. S.
Demonology; Superstition; Witchcraft
all Miracles to God, and urges his own, both in general and separately,
as an absolute and authentic proof, both of the sole divinity of
Jehovah, and of his own mission; which he could not justly have done, if
his opposers performed miracles, and even the same with his. On the
other hand, it has been urged, that Moses describes the works of the
magicians in the very same language as he does his own, (Exod. vii. 11,
12. chap. v. 22. chap. viii. 7.) and hence it is concluded, that they
were equally miraculous. To this objection it is replied, that it is
common to speak of professed Jugglers, as doing what they pretend and
appear to do; but that Moses does not affirm that there was a perfect
conformity between his works and those of the magicians, but they did
_so_, or in like manner, using a word which expresses merely a general
similitude; and he expressly refers all they did, or attempted in
imitation of himself, not to the invocation of the power of dæmons, or
of any superior beings, but to human artifice and imposture. The
original words, translated _enchantments_, (Exod. vii. 11, 22. and chap.
viii. 7, 18.) import deception and concealment, and ought to have been
rendered, _secret slights_ or jugglings. Our learned writer farther
shews, that the works performed by the magicians did not exceed the
cause, or human artifice, to which they are ascribed. Farmer’s _Diss._
on Miracles, 1771, chap. 3. § 3. chap. 4. § 1. (See MAGII.)
MAGI, OR MAGEANS,
A title which the ancient Persians gave to their wise men or
philosophers.
The learned are in great perplexity about the word _magus_, μαγ ος.
Plato, Xenophon, Herodotus, Strabo, &c. derive it from the Persian
language, in which it signifies a priest, or person appointed to
officiate in holy things; as _druid_ among the Gauls; _gymnosophist_
among the Indians; and _Levite_, among the Hebrews. Others derive it
from the Greek μεγας, great; which they say, being borrowed of the
Greeks, by the Persians, was returned in the form μαγος; but Vossius,
with more probability, brings it from the Hebrew הגה _haga_, to
meditate; whence מהגים, maaghim, in Latin, meditabundi, q. d. people
addicted to meditation.
Magi, among the Persians, answers to σοφοι, or φιλοσοφοι, among the
Greeks; _sapientes_, among the Latins; _druids_, among the Gauls;
_gymnosophists_, among the Indians; and _prophets_ or _priests_ among
the Egyptians.
The ancient _magi_, according to Aristotle and Laertius, were the sole
authors and conservators of the Persian philosophy; and the philosophy
principally cultivated by them, was theology and politics; they being
always esteemed as the interpreters of all law, both divine and human;
on which account they were wonderfully revered by the people. Hence,
Cicero observes, that none were admitted to the crown of Persia, but
such as were well instructed in the discipline of the _magi_; who taught
τα βασιλικα, and showed princes how to govern.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account