In countries where drouth, barrenness, and consequent famine were
occasional, as in India, it would be an inevitable result that
they would represent the varying moods of a powerful will, and
in such regions we naturally find the most extensive appliances
for propitiation. The preponderant number of fat years would
tell powerfully on the popular imagination in favour of priestly
intercession, and the advantage of sacrifices to the great Hunger-demon
who sometimes consumed the seeds of the earth. But in countries
where barrenness was an ever-present, visible, unvarying fact,
the Demon of the Desert would represent Necessity, a power not to
be coaxed or changed. People dwelling in distant lands might invent
theoretical myths to account for the desert. It might be an accident
resulting from the Sun-god having given up his chariot one day to an
inexperienced driver who came too close to the earth. But to those
who lived beside the desert it could only seem an infernal realm,
quite irrecoverable. The ancient civilisation of Egypt, so full of
grandeur, might, in good part, have been due to the lesson taught
them by the desert, that they could not change the conditions around
them by any entreaties, but must make the best of what was left. If
such, indeed, was the force that built the ancient civilisation
whose monuments remain so magnificent in their ruins, its decay
might be equally accounted for when that primitive faith passed into
a theological phase. For as Necessity is the mother of invention,
Fate is fatal to the same. Belief in facts, and laws fixed in the
organic nature of things, stimulates man to study them and constitute
his life with reference to them; but belief that things are fixed by
the arbitrary decree of an individual power is the final sentence
of enterprise. Fate might thus steadily bring to ruin the grandest
achievements of Necessity.
Public-domain text, read in full here on John Shaqi.
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