Gopolu, already referred to (p. 136) as the Singhalese demon of
hydrophobia, bears the general name of the 'Cattle Demon.' He
is said to have been the twin of the demigod Mangara by a queen
on the Coromandel coast. The mother died, and a cow suckled the
twins, but afterwards they quarrelled, and Gopolu being slain was
transformed into a demon. He repaired to Arangodde, and fixed his
abode in a Banyan where there is a large bee-hive, whence proceed
many evils. The population around this Banyan for many miles being
prostrated by diseases, the demigod Mangara and Pattini (goddess of
chastity) admonished the villagers to sacrifice a cow regularly,
and thus they were all resuscitated. Gopolu now sends all cattle
diseases. India is full of the like superstitions. The people of
Travancore especially dread the demon Madan, 'he who is like a cow,'
believed to strike oxen with sudden illness,--sometimes men also.
In Russia we find superstition sometimes modified by common
sense. Though the peasant hopes that Zegory (St. George) will defend
his cattle, he begins to see the chief foes of his cattle. As in
the folk-song--
We have gone around the field,
We have called Zegory....
O thou, our brave Zegory,
Save our cattle,
In the field and beyond the field,
In the forest and beyond the forest,
Under the bright moon,
Under the red sun,
From the rapacious wolf,
From the cruel bear,
From the cunning beast. [197]
Nevertheless when a cattle plague occurs many villages relapse into a
normally extinct state of mind. Thus, a few years ago, in a village
near Moscow, all the women, having warned the men away, stripped
themselves entirely naked and drew a plough so as to make a furrow
entirely around the village. At the point of juncture in this circle
they buried alive a cock, a cat, and a dog. Then they filled the
air with lamentations, crying--'Cattle Plague! Cattle Plague! spare
our cattle! Behold, we offer thee cock, cat, and dog!' The dog is
a demonic character in Russia, while the cat is sacred; for once
when the devil tried to get into Paradise in the form of a mouse,
the dog allowed him to pass, but the cat pounced on him--the two
animals being set on guard at the door. The offering of both seems to
represent a desire to conciliate both sides. The nudity of the women
may have been to represent to the hungry gods their utter poverty,
and inability to give more; but it was told me in Moscow, where I
happened to be staying at the time, that it would be dangerous for
any man to draw near during the performance.
Public-domain text, read in full here on John Shaqi.
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