until purified by the ceremonies which the law prescribed.' [205] It is to be feared this notion has crept in among the Brahmans; the Indian Mirror (May 26, 1878) states that a Chandernagore lady, thrown into the Ganges, but afterwards found to be alive, was believed to be possessed by Dano (an evil spirit), and but for interference would have found a watery grave. The Jews also were influenced by this belief, and to this day it is forbidden a Cohen, or descendant of the priesthood, to touch a dead body. The audience at the Crystal Palace which recently witnessed the performance of Euripides' Alcestis could hardly, it is to be feared, have realised the relation of the drama to their own religion. Apollo induces the Fates to consent that Admetus shall not die provided he can find a substitute for him. The pure Alcestis steps forward and devotes herself to death to save her husband. Apollo tries to persuade Death to give back Alcestis, but Death declares her fate demanded by justice. While Alcestis is dying, Admetus bids her entreat the gods for pity; but Alcestis says it is a god who has brought on the necessity, and adds, 'Be it so!' She sees the hall of the dead, with 'the winged Pluto staring from beneath his black eyebrows.' She reminds her husband of the palace and regal sway she might have enjoyed in Thessaly had she not left it for him. Bitterly does Pheres reproach Admetus for accepting life through the vicarious suffering and death of another. Then comes Hercules; he vanquishes Death; he leads forth Alcestis from 'beneath into the light.' With her he comes into the presence of Admetus, who is still in grief. Admetus cannot recognise her; but when he recognises her with joy, Hercules warns him that it is not lawful for Alcestis to address him 'until she is unbound from her consecration to the gods beneath, and the third day come.' It only requires a change of names to make Alcestis a Passion-play. The unappeasable Justice which is as a Fate binding the deity, though it may be satisfied vicariously; 'the last enemy, Death;' the atonement by sacrifice of a saintly human being, who from a father's palace is brought by love freely to submit to death; the son of a god (Zeus) by a human mother (Alcmene),--the god-man Herakles,--commissioned to destroy earthly evils by twelve great labours,--descending to conquer Death and deliver one of the 'spirits in prison,' the risen spirit not recognised at first, as Jesus was not by Mary; still bearing the consecration of the grave until the third day, which forbade intercourse with the living ('Touch me not, for I am not yet ascended to my Father'),--all these enable us to recognise in the theologic edifices around us the fragments of a crumbled superstition as they lay around Euripides.