The souls of the righteous are drawn forth with gentleness, those of the wicked torn from them in the way shown in the Russian picture (Fig. 19), which is indeed an illustration of the same mythology. These terrible tasks were indeed such as were only too likely to bring Azraël into the evil repute of an executioner in the course of time; but no degradation of him seems to have been developed among the Moslems. He seems to have been associated in their minds with Fate, and similar stories were told of him. Thus it is related that once when Azraël was passing by Solomon he gazed intently upon a man with whom Solomon was conversing. Solomon told his companion that it was the Angel of Death who was looking at him, and the man replied, 'He seems to want me: order the wind to carry me from hence into India;' when this was done Azraël approached Solomon and said, 'I looked earnestly at that man from wonder, for I was commanded to take his soul in India.' [207] Azraël was often represented as presenting to the lips a cup of poison. It is probable that this image arose from the ancient ordeal by poison, whereby draughts, however manipulated beforehand with reference to the results, were popularly held to be divinely mingled for retributive or beneficent effects. 'Cup' thus became among Semitic tribes a symbol of Fate. The 'cup of consolation,' 'cup of wrath,' 'cup of trembling,' which we read of in the Old Testament; the 'cup of blessing,' and 'cup of devils,' spoken of by Paul, have this significance. The cup of Nestor, ornamented with the dove (Iliad, xi. 632), was probably a 'cup of blessing,' and Mr. Schliemann has found several of the same kind at Mycenæ. The symbol was repeatedly used by Christ,--'Let this cup pass from me,' 'The cup that my Father hath given me to drink shall I not drink it,' 'Are ye able to drink of the cup that I drink of,'--and the familiar association of Azraël's cup is expressed in the phrase 'taste of death.'