Such probable facts as these must, of course, be referred to a
period long anterior to the poetic serpent-symbolism of Egypt,
and the elaborate Serpent mythology of Greece and Scandinavia. How
simple ideas, having once gained popular prestige, may be caught up
by theologians, poets, metaphysicians, and quacks, and modified into
manifold forms, requires no proof in an age when we are witnessing the
rationalistic interpretations by which the cross, the sacraments, and
the other plain symbols are invested with all manner of philosophical
meanings. The Serpent having been adopted as the sign-post of Egyptian
and Assyrian doctors--and it may have been something of that kind
that was set up by Moses in the wilderness--would naturally become
the symbol of life, and after that it would do duty in any capacity
whatever.
An ingenious anthropologist, Mr. C. Staniland Wake, [231] supposes the
Serpent in India to have been there also the symbol of præternatural
and occult knowledge. Possibly this may have been so to a limited
extent, and in post-Vedic times, but to me the accent of Hindu
serpent-mythology appears to be emphatically in the homage paid to
it as the guardian of the treasures. I may mention here also the
theory propounded by Miss A. W. Buckland in a paper submitted to the
Anthropological Institute in London, March 10, 1874, on 'The Serpent in
connection with Primitive Metallurgy.' In this learned monograph the
writer maintains that a connection may be observed between the early
serpent-worship and a knowledge of metals, and indeed that the Serpent
was the sign of Turanian metallurgists in the same way as I have
suggested that in Egypt and Assyria it was the sign of physicians. She
believes that the Serpent must have played some part in the original
discovery of the metals and precious stones by man, in recognition
of which that animal was first assumed as a totem and thence became
an emblem. She states that traditional and ornamentational evidences
show that the Turanian races were the first workers in metals, and
that they migrated westward, probably from India to Egypt and Chaldæa,
and thence to Europe, and even to America, bearing their art and its
sign; and that they fled before the Aryans, who had the further art
of smelting, and that the Aryan myths of serpent-slaying record the
overthrow of the Turanian serpent-worshippers.
Public-domain text, read in full here on John Shaqi.
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