The Knight Lambton, remembering his vow to slay as a sacrifice the first living thing he might meet after the combat, had arranged that a dog should be placed where it would attract his eye. But it turned out that his own father came rushing to him. As he could not kill his father, he consulted the oracle again to know what would be the penalty of non-fulfilment of his vow. It was that no representative of the family should die in his bed for nine generations. The notion is still found in that neighbourhood that no Earl of Durham has since then died in his bed. The nine generations have long passed since any crusading Lambton lived, but several peasants of the district closed their narrative with, 'Strange to say, no Earl of Durham has died in his bed!' At the castle I talked with a servant on the estate while looking at the old statues of the knight, worm, and dairymaid, all kept there, and he told me he had heard that the late Earl, as death drew nigh, asked to sit up--insisted--and died in a chair. If there be any truth in this, it would show that the family itself has some morbid feeling about the legend which has been so long told them with pride. The old well from which the little worm emerged a monster is now much overgrown, but I was told that it was for a long time a wishing-well, and the pins cast in by rustics may still be seen at the bottom of it. Pins are the last offerings at the Worm's Well; 'wishes' its last prayers; but where go now the coins and the prayers? To propitiate a power and commute a doom resting upon much the same principles as those represented in the Lambton legend. A community desolated because one man is sinful miniatures a world's doom for Adam's sin. The demand of a human sacrifice is more clear in the Sockburn story, where Conyers offered up his only son to the Holy Ghost in the parish church before engaging the Dragon, that being a condition of success prescribed by the 'Oracle' or 'Sybil.' This claim of the infernal powers represented by the Worm--many-eyed, all-seeing--cannot be set aside; Lambton's filial love may resist it only to have it pass as the hereditary doom of his family, representing an imputed sin. 'For I, the Lord thy God, am a jealous God, and visit the sins of the fathers on the children unto the third and fourth generation.'