It is a very notable characteristic of this Iranian theology, that
although the forces of good and evil are co-extensive and formally
balanced, in potency they are not quite equal. The balance of force
is just a little on the side of the Good Spirit. And this advantage
appears in man. Zoroaster said, 'No earthly man with a hundredfold
strength does so much evil as Mithra with heavenly strength does good;'
and this thought reappears in the Parsî belief that the one part
of paradisiac purity, which man retained after his fall, balances
the ninety-nine parts won by Ahriman, and in the end will redeem
him. For this one divine ray preserved enables him to receive and
obey the Avesta, and to climb to heaven by the stairway of three
vast steps--pure thought, pure word, pure deed. The optimistic
essence of the mythology is further shown in the belief that every
destructive effort of Ahriman resulted in a larger benefit than Ormuzd
had created. The Bull (Life) destroyed, man and animal sprang into
being; the man destroyed, man and woman appeared. And so on to the
end. In the last quarter of the 12,000 years for which Ahriman was
condemned, he rises to greater power even than Ormuzd, and finally
he will, by a fiery comet, set the visible universe in conflagration;
but while this scheme is waxing to consummation Ormuzd will send his
holy Prophet Sosioch, who will convert mankind to the true law, [16]
so that when Ahriman's comet consumes the earth he will really be
purifying it. Through the vast stream of melted metals and minerals
the righteous shall pass, and to them it will be as a bath of warm
milk: the wicked in attempting to pass shall be swept into the abyss
of Duzhak; having then suffered three days and nights, they shall be
raised by Ormuzd refined and purified. Duzhak itself shall be purified
by this fire, and last of all Ahriman himself shall ascend to his
original purity and happiness. Then from the ashes of the former
world shall bloom a paradise that shall remain for ever.
Public-domain text, read in full here on John Shaqi.
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