Naturally the Praise of Folly called forth a certain criticism from individuals belonging to some of the classes attacked. To this criticism Erasmus replied only by renewed and more bitter comment in the same spirit. Quite different, however, was the admonition he received from his excellent friend, Martin Dorpius of Louvain, and different to correspond was the spirit of his reply.[83] He addresses Dorpius throughout as a sincere man and scholar, whose view had been obscured by the misunderstandings of others; in fact, when you came to the bottom of it, of one man, by whom is doubtless meant the unhappy scapegoat, Nicholas Egmund. Dorpius had disapproved the _Moria_ chiefly on account of what seemed to him its flippant tone and the tendency it must have to excite hostility against really good and valuable things. Erasmus defends himself on the ground that the flippancy is only apparent, a mere lightness of touch to commend the serious purpose underneath. He had been bitterly abused, but he abuses no man; on the contrary, he has taken great pains to avoid any personal attack or even an attack upon any class of men as such. [83] _Epistola apologetica ad Martinum Dorpium Theologum_, ix., 1. "I had in view no other object in the _Moria_ than I have had in other works, but used only a different method." He mentions specially the _Enchiridion_, the _Institutio Principis_, and the Panegyric on Philip of Burgundy, serious works enough in all conscience. He gives the familiar story of the composition and first publication of the book. He had just returned from Italy, ill and worn out by the journey. He was at More's house and began to play with the idea of the _Moria_, not with any intention of publication, but just to while away the time.[84] He showed his friends what he had written, only that he might enjoy his laugh the better in company. They liked it, and not only urged him to finish it, but sent it over to Paris, and there it was printed, but from corrupt and even mutilated copy. How displeasing it was Dorpius may judge from the fact that within a few months it was reprinted seven times in different places. "If you think this was a foolish performance on my part, I shall not deny it." [84] He says elsewhere that More was the cause (_auctor_) of his writing the book. iii.¹, 474-D. Yet it has been approved by the most famous theologians, men of the highest character and learning, "who have never been more friendly with me than since its publication, and who like it far better than I do." He would give their names and titles were it not that this might expose them to the abuse of