Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
Such arbitrary creatures as the Sphinx, the Winged and Man-headed Bull
and Lion, and the Griffin, were invested with symbolic meaning in the
association of qualities--animal and human; and probably had their
origin in an early belief in Totemism.
_Totemism_
Most primitive communities have superstitious regard for certain
animals, as the mythical origin of personal or tribal descent, and
appreciation for animal qualities is evidenced, for example, in the
belief that to eat hare or any timorous animal would be disastrous,
resulting in the transference of timidity to the consumer.
_Cannibalism_
The underlying idea of Cannibalism is the belief that in consuming part
of an adversary his virtues will also be acquired.
The practice in, that sense is really a tribute to his superior courage
or mentality.
The Lion and Bull were associated with courage and strength, either for
protection or menace.
The Serpent, with wisdom, subtilty and cunning. The Eagle typifies
alertness and watchfulness as well as speed.
Wings may symbolise rapidity and mobility, or ever-present, as hovering,
the bat’s wing being potential in darkness. The human element denotes
Intelligence, and bird claws--Ferocity.
_The Sphinx_
The Sphinx in Egyptian Art, always represented in a crouching position,
is a combination of Lion body with human head and bust (generally
female) and symbolises Intelligence and Power.
The Greek Sphinx, borrowed from the Egyptian, is generally represented
in a seated attitude, and invested with wings. It had a different
meaning, that of Malignity and Mystery. Probably in allusion to the
tradition of the Theban sphinx that menaced the town, until her
destruction was accomplished by Œdipus, who solved the riddle that
had resulted fatally for his predecessors.
_Assyrian Winged Monsters_
The Assyrian combination of Winged Lion or Bull with human head, is
symbolic of association of strength with courage and intelligence, the
wings suggesting mobility or ever-present.
The Gryffon, a Greek creation, was composed of a lion body, with eagle
head and wings, typifying not only swiftness, strength and courage, but
alertness or watchfulness. It was employed on the Acroteria of the
pediments; alertness being indicated by the forward position of the
ears.
The Chimeræ as an emblem of terror and devastation, is in the form of a
lion body, the tail being a serpent, the lion mouth belching forth
flames. From the centre of the back protrudes a goat’s head.
The whole is presumed to embody the idea of a volcanic mountain, the
head being the crater, the goat representing the mountain slopes, and
the snake tail the morass at the foot.
The Dragon, compounded of a lizard head and body, bat wings and serpent
tail, is a product of mediæval times, probably suggested by the
mythological Gryffon. Sometimes the dragon is invested with the legs of
a lion, and to testify to its potency for evil, flames are depicted
issuing from the mouth.
_Pegasus_
Public-domain text, read in full here on John Shaqi.
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