Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
A variant of the wand or staff is the Thyrsus of Bacchus, which takes
different forms, the early examples being a plain staff entwined with
ivy leaves, though later vine leaves were substituted. It also appears
in the form of a pine cone impaled on a spear, which may be in allusion
to the Greek custom of mixing the juice of the pine or fir (turpentine)
with the new wine to make it keep.
It has also been attributed to a strategy of war, when Bacchus made a
successful advance by the ruse of concealing his followers with
branches, as in the example of Shakespeare’s Macduff. The pine cone
being suggestive of a night attack or that the Bacchanalian festivities
took place at night.
_The Trident_
The Trident of Neptune, and the Paddle or Rudder of Triton are also
variants of the wand as symbols of authority, and in their separate use,
are sufficient to indicate Sea or Ocean.
_The Cross_
Though the Cross was adopted by the early Christians, like the nimbus it
was employed in more remote times. In Carthage it was used for
ornamental purposes, but with the Egyptians, it was regarded as a sacred
symbol. It also occurred in Greek sculpture on a circle, when it
symbolised the four cardinal points.
Surmounted by a circle in the form known as the Crux Ansata, it was
sacred to Isis, and stood as an emblem of immortality and life
generally.
There are various forms of the cross in Christian art, the Greek cross
with four equal arms, signifies the blessing which the great Sacrifice
extends equally over the four quarters of the world.
The Latin cross, in which the shaft is longer than the upper arm,
sometimes has three steps which signify the triple foundations of Faith,
Hope and Charity; the last being the lowest as the foundation of all
Christian virtues.
The Latin cross is sometimes furnished with two transverse arms, when
it is known as the Ecclesiastical cross, used by Cardinals and Bishops
at Rome. The cross of the Pope has three transverse arms.
The Cross of St. Andrew, or cross saltire, is in the shape of the letter
X, and is used as a symbol of martyrdom.
The Tau Cross in the shape of the letter T--frequently used in Byzantine
representations of the Crucifixion, is that on which the Brazen Serpent
was uplifted; and was also the sign marked on the door-posts at the
sacrifice of the Paschal Lamb of the Exodus.
The Cross with the arms bearing leaves or blossom, is symbolical of the
triumph of Christianity over sin and persecution. Occasionally it takes
the form of a spreading tree. When five red marks or jewels are placed
in the centre and extremities they are emblematic of the five wounds.
In Christian art the cross is the symbol of Christ, either in the simple
form, or as a crucifix, which in the early renderings was more
suggestive of voluntary sacrifice. The realistic treatment of physical
suffering belongs to a later period.
Public-domain text, read in full here on John Shaqi.
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