Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
Of mouldings with curved profiles there are only six distinct forms,
though the individual character of these curves is subject to great
variation in treatment.
_Purpose_
As suggested, mouldings have a distinct purpose, are, in fact,
functional features, and may be defined as Sheltering or Crowning,
Bracketing or Supporting, and Binding.
In any composition where they may be necessary these functions should be
taken into consideration.
The profiles should always be concise whether the character of the curve
be refined or robust.
In classic architecture the relative proportions of the mouldings to the
other features are defined, and these proportions will be found useful
in other than purely architectural design.
_The Fillet_
Mouldings are divided from each other by narrow vertical bands or
Fillets, the employment of which is universal.
The Fillet in projection is equal to its height, and though strictly
divisional in its employment, is shown in conjunction with the curved
profiles to indicate relative proportion.
_Sheltering Mouldings_
There are two mouldings of curved profile in each category, the
Sheltering being the Cavetto and the Cyma Recta.
_The Cavetto_
The Cavetto is the culminating moulding of the Italian Doric cornice,
and is a concave curve, which may be the result of a quarter circle.
The Cavetto profile is used in other positions, which would appear to
challenge the previous statement, but reflection will confirm the
contention.
For instance, the vertical face of the Frieze in some instances
terminates with a cavetto curve which, though surmounted by the cornice,
is yet at the top of the frieze. The upper extremity of the column shaft
is similarly treated, and, it may be urged, so is the lower, but this,
though an exception to the rule, is at least an æsthetic necessity.
The projection of the Cavetto is equal to the height of the curve, and
the crowning Fillet may be from one-third to one-fourth the total
height, preferably the latter.
_Cyma Recta_
The other sheltering moulding, the Cyma Recta, is a curve of double
flexure with upper fillet. Its proper employment is as the crowning
member of the cornice, though, like the Cavetto, it is employed in other
positions, notably as a plinth moulding, when it appears in a reversed
position.
The projection is about equal to the height of the curved profile, the
height of the crowning fillet being from one-fourth to one-fifth of the
whole.
_Bracketing Mouldings_
The supporting mouldings are the Ovolo and the Cyma Reversa.
_The Ovolo_
The Ovolo is composed of a full convex curve, either a quarter circle or
slightly elliptic, which in height is equal to projection; and a fillet
at base one-fifth the total height. Frequently this lower member is in
the form of a half round bead of the same dimension as the fillet.
Public-domain text, read in full here on John Shaqi.
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