Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
Intersecting straight lines form the basis of the different chequered
patterns in conjunction with the simple device of alternating light and
dark masses. Interlacing patterns are also based on intersecting
straight lines. When segmental curves are employed either the chequered
or interlacing effect may be obtained. Such patterns are essentially
geometric and mechanical, but some idea of the growth line is suggested
by the undulating stems formed out of the arcs of circles struck from
either side of the border. This effect may be used with purely
artificial detail, such as arises naturally from the spaces left, or
with the introduction of floral detail. It is evident that the curve of
the undulating stem will vary according to the position of the centres
from which the arcs are struck.
[Illustration: No. 203. Brocade composed of Undulate Borders.]
A fuller effect, giving more space for branching and other detail, will
be obtained by basing the stem upon
[Illustration: No. 204. Scroll Border based on Adjacent Circles.]
[Illustration: No. 205. 14th Century Textile composed of Undulate
Borders arranged obliquely.]
a series of complete adjacent circles struck within the border. The
latter device is the basis of the wave line, which, after all, is only
the key or labyrinth with the square angles rounded.
[Illustration: No. 206. French Brocade, 18th Century, composed of
Borders.]
Border decoration can also consist of leaves or other details
symmetrically arranged on a central axis, with perhaps occasional
flowers or rosettes to break the monotony.
_Repetition and Alternation_
Generally speaking, the detail should preferably be of a formal
character, and should consist of the repetition of units with no
interest beyond that imparted by alternation.
The detail must, moreover, be designed with due regard to the space to
be filled, and, in any border which encloses any space, a common divisor
of height and width should be found in accordance with which the unit
can be designed.
_Treatment of Angles_
[Illustration: No. 207. The Evolute Scroll as a Border.
A. Continuous. B. Reciprocal]
The meeting angles or corners of borders invariably require special
treatment, and in those positions the detail should be compact and
stronger in appearance than the general pattern. The simplest expedient
is some form of patera or rosette, but, whatever the detail, it should
always be in strong contrast to that of the run of the border. The only
forms that can be continuous without any marked change in the angles,
are the undulating stem, the wave, and its square form the key or
labyrinth; but even with these the proportion of width to height at
times needs modification. If a common divisor is not possible, the
difficulty can to some extent be overcome by making the form reciprocal
and letting the two sides meet in the centre of the border, so that any
slight disparity in treatment and dimensions will not be noticeable.
_Pilaster Treatment_
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