Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
[Illustration: No. 210. Ceiling Decoration. Growth from Angle.]
When panels or enclosed spaces are used on walls or on furniture of any
height the vertical direction should be emphasised as a general rule;
but if the height is less than the width, the decoration, though it
should remain vertical in tendency, should also spread so as to conform
to the width.
The design of a panel or enclosed space, whatever the shape or attitude,
should be complete in itself, having its proper start and appropriate
terminals. If the enclosing border were removed the detail should, by
its general disposition maintain the shape, even though the whole
surface may not be occupied.
Rich ornamentation is thoroughly in keeping with the nature of the
panel--certainly more interest should be centred on panel decoration
than on adornment in more subordinate positions.
The decoration may either completely fill the space or only partially do
so. In the latter case, the shapes of the unoccupied parts must be
carefully considered.
[Illustration: No. 211. Semi-Lunette Panel. Central Feature based on
Circle.]
Whether the design is a unit repeated on a central axis or is a balanced
one, is largely a matter to be settled by individual taste and the
position of the panel. Both treatments are admissible in a range of
panels; greater variety can be obtained by symmetrically disposed
designs being flanked on either side by balanced designs.
_Juxtaposition_
When panels occur together, either side by side or ranged one above the
other, they may exert influence on one another. For example, vertical
features close to the framing stiles should be repeated in the adjacent
panel even though the width of each panel may differ. When the panels
are one above the other, central features should be avoided and the
interest should be kept close to the opposing margins; otherwise the
effect will be spotty and lacking in repose.
[Illustration: No. 212. Panels in Juxtaposition.]
As panels present the best opportunity for display, on account of their
treatment being comparatively untrammelled by the considerations to
which the more structural features must submit, there is open to them
[Illustration: No. 213. Design for Panel based on Treatment of Celery.
By C. A. Sheehan, Bristol.]
a proportionately large field of possible decoration. In the first
place, the panel may be treated pictorially, with due regard to the
requirements of surface and reciprocal effect which must be insisted on
in mural decoration. If not treated pictorially, ornament of a
traditional character, or designs derived more directly from natural
forms can be made use of. In either case the ornament must complete
itself within the given area.
_The Growth Line_
[Illustration: No. 214. Analysis of Composing Lines of Panel.]
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