Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
The decoration of a standard, which is largely dependent on its size,
should, generally speaking, be applied in the vertical direction with
occasional horizontal features by way of contrast. The treatment must
also vary according to material.
[Illustration: No. 222. Cast Iron Lamp Standard.]
_Proportion_
Apart from considerations of use and material, the design of this kind
of round form is based on inequalities of proportion in height and
diameter. Obvious repetitions of the same dimension are to be avoided.
The profiles should be carefully composed with a view to effecting
harmony or contrast--the curves either approaching one another in a
flexible line or being deliberately contrasting. Mouldings may be used
at intervals to mark the various stages.
[Illustration: No. 223. Types of Vase Decoration.
A. Horizontal Banding with vertical Contrast.
B. Oblique or Spiral Treatment. C. Panel Treatment.]
Vase forms vary considerably. When the profile is formed by straight
lines they may be cylindrical or cone-shaped. Of course profiles may
take other forms--they may be ovoid or trace an ogee curve. When the
diameter varies the bulk should preponderate at some one point. When
unity of line is desired, the curves of the profile should flow easily
into each other, even if broken at intervals by mouldings. In
contrasting curves the lines should intersect at right angles in order
to avoid indecision of form.
_Positions for Decoration_
The areas capable of being decorated on vase forms are those bounded by
mouldings. The nature and direction of the decoration will be
determined by the profile curves on the sectional form. The direction of
the ornament may be horizontal as in the form of a band, but to avoid
distortion such detail should only be applied to surfaces of uniform
curvature.
If the vertical direction be chosen the decoration may take the form of
flutes, of leaves or of panels decorated with detail. A variation of the
vertical treatment is obtained by employing similar details in an
oblique direction, thus giving the appearance of ornament twisting or
twining round the shape.
[Illustration: No. 224. Stretch Out and Segments of the Cylinder.]
In the vertical panel treatment, as in mouldings, the sectional or
profile curve may be used to determine the general framing lines, with
contrasting details between the panels. In order to give variety it may
be desirable to combine two treatments--for instance, the horizontal
band may be contrasted with vertical flutes and leaves.
_Working Drawings_
For a practical drawing the form must be shown in elevation and not in
perspective. All the horizontal divisions must be drawn in parallel
lines. It is obvious that except for profiles and general height,
further details must be given for a working drawing.
_The Segment or Stretch Out_
[Illustration: No. 225. Stretch Out of the Cone.]
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