Lady's maids -- Fiction; Love stories; Wessex (England) -- Fiction; Young women -- Fiction
This was agreed to by the postman as the best thing to be done under
the circumstances, and the pair went on. They had passed the village and
come to a crossroad, when the steward, telling his companion that their
paths now diverged, turned off to the left towards Carriford.
No sooner was the postman out of sight and hearing than Manston stalked
back to the vicarage letter-box by keeping inside a fence, and thus
avoiding the village; arrived here, he took the key from his pocket,
where it had been concealed all the time, and abstracted Owen’s letter.
This done, he turned towards home, by the help of what he carried in
his valise adjusting himself to his ordinary appearance as he neared the
quarter in which he was known.
An hour and half’s sharp walking brought him to his own door in
Knapwater Park.
2. EIGHT O’CLOCK A.M.
Seated in his private office he wetted the flap of the stolen letter,
and waited patiently till the adhesive gum could be loosened. He took
out Edward’s note, the accounts, the rosebud, and the photographs,
regarding them with the keenest interest and anxiety.
The note, the accounts, the rosebud, and his own photograph, he restored
to their places again. The other photograph he took between his finger
and thumb, and held it towards the bars of the grate. There he held it
for half-a-minute or more, meditating.
‘It is a great risk to run, even for such an end,’ he muttered.
Suddenly, impregnated with a bright idea, he jumped up and left the
office for the front parlour. Taking up an album of portraits, which lay
on the table, he searched for three or four likenesses of the lady who
had so lately displaced Cytherea, which were interspersed among the
rest of the collection, and carefully regarded them. They were taken in
different attitudes and styles, and he compared each singly with that he
held in his hand. One of them, the one most resembling that abstracted
from the letter in general tone, size, and attitude, he selected from
the rest, and returned with it to his office.
Pouring some water into a plate, he set the two portraits afloat upon
it, and sitting down tried to read.
At the end of a quarter of an hour, after several ineffectual attempts,
he found that each photograph would peel from the card on which it was
mounted. This done, he threw into the fire the original likeness and the
recent card, stuck upon the original card the recent likeness from the
album, dried it before the fire, and placed it in the envelope with the
other scraps.
The result he had obtained, then, was this: in the envelope were now two
photographs, both having the same photographer’s name on the back and
consecutive numbers attached. At the bottom of the one which showed his
own likeness, his own name was written down; on the other his wife’s
name was written; whilst the central feature, and whole matter to which
this latter card and writing referred, the likeness of a lady mounted
upon it, had been changed.
Public-domain text, read in full here on John Shaqi.
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