Despotism and Democracy: A Study in Washington Society and PoliticsSeawell, Molly Elliot
General
Despotism and Democracy: A Study in Washington Society and Politics
Seawell, Molly Elliot
Political fiction; Washington (D.C.) -- Fiction
They came upon Constance very smartly dressed, as always, and looking
young and animated. She was superintending the tickets and luggage of
herself and her five servants. There were innumerable boxes and trunks
to be seen to, besides a couple of traps and a pair of horses, and
Constance was doing it vigorously, with Scipio Africanus, her young
butler, and Charles Sumner Pickup, her coachman, acting as purely
ornamental adjuncts, giving her frequent and disinterested advice about
the horses, the trunks, and other impedimenta, but in reality being
waited on by their mistress. Whenever negroes go on a journey, they at
once become children, and are treated as such by those who understand
them. In a group stood the cook, an elderly, respectable negro woman,
dressed in black, with the stamp of “fo’ de war” written all over her
honest black face, and a housemaid and a lady’s maid, both chocolate
coloured.
Whenever Thorndyke had observed Constance’s servants before, they
had been dressed with entire correctness--but on this occasion they
had evidently been allowed complete latitude. The two maids wore the
shortest of short skirts, with violent-coloured shirtwaists. They had
on hats exactly alike--large picture-hats of white, with wreaths of
red roses. The same riot of colour had broken out on Scipio Africanus
and Charles Sumner Pickup. Scipio sported a scarf-pin composed of two
United States flags crossed, while Charles Sumner Pickup carried a
cane from the handle of which fluttered red, white, and blue ribbons.
The cook, who was plainly an ante-bellum product, had donned, for
the journey, an immense crape veil, which dangled to the ground, and
implied that she was in the first stages of widowhood. As a fact, she
had “planted her ole man,” in the Afro-American vernacular, about
thirty years before, but at intervals since, she had adorned herself
with the crape veil, as a dissipation in dress akin to the maids’
wreaths of red roses, and the butler and coachman’s assumption of the
national colours.
Thorndyke, on reaching Constance’s side, proffered his assistance, but
his offer was promptly repulsed.
“How on earth would you manage five negroes?” she asked. “You would
lose your patience in five minutes--you do not know what they know or
what they do not know. I think I have everything straight now--I will
keep the tickets myself”--and then, escorted by Thorndyke, she saw her
five charges and the horses, the traps, and the trunks in their proper
cars, and, sending Thorndyke after Annette Crane, herself took her
place in the drawing-room car for her two hours’ trip.
When Annette stepped in the car to spend ten minutes with her,
Constance was sincerely glad. She felt a strong and strange sympathy
with Annette Crane. Never were women more dissimilar in type, in
environment, in ideas, than those two women; but both were gentlewomen
of sense and right feeling, and on that common ground they met and
became friends.
Public-domain text, read in full here on John Shaqi.
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