Even as he murmured, "Miss Terroll," the inflection of surprise remained
in his voice. It was well after ten o'clock and in those circles of
society where he was received the system of chaperonage was rigid enough
to fail of understanding for the women who dared the streets at night
unescorted. He knew ladies who went to their several rostrums to sound
the clarion of sex equality and who went at night, but they did not go
uncavaliered. And under the lights this slim figure, with its easy,
almost boyish independence, seemed very young, almost childish.
She turned, at his greeting, and her eyes must have read his thoughts,
for once more they smiled and in the smile was an amused twinkle. This
time, though, it was also a smile of the lips, revealing a row of teeth
so small and white that they accentuated her seeming of childishness.
She must be about twenty-two or twenty-three he thought.
"Mr. Burton," she laughed, "you spoke my name then almost as though I
had astonished or startled you. I was scrutinizing the house across the
way rather intently, but honestly there was no burglary in my thoughts."
"I'm rather sorry to hear that," he countered with a simulation of
disappointment. "I've never burgled--and I had begun to hope you'd
initiate me and let me share the adventure." She said nothing for a
moment, and he bluntly demanded, "I was wondering what was in your
thoughts just then."
Miss Terroll bent forward to look up the avenue before she answered. The
'buses were not running close together at this hour and the lamps of the
nearest were still two blocks away.
"If I tell you, will you tell me why you spoke my name so chidingly?"
"It seems on its face a fair bargain." He spoke with a pretendedly grave
consideration of the subject. Then added, "Yes, I will."
"I was thinking of music."
"What music?"
"Just music as music. Music as the one art which needs no background
because every listening human being supplies one. That is where it
succeeds where sculpture, for instance, fails. Music is a sort of
panacea."
"Oh!" His monosyllable was a trifle disappointed. With such a cue she
might at least have admitted his music into the summary.
The light from the overhead lamps fell in a circle of comparative
radiance and he had time to note the charming modeling of her throat and
a certain delicate nobility in the curve of her brow, where the soft
hair merged with the dark shadowing of her hat brim.
"You haven't carried out your part of the contract yet," she reminded
him. "I've told you what, but you haven't told me why."
"I mean to. Are you waiting for some one?"
"I am waiting for a 'bus to take me home."
"Where are you going to let it take you? Where is your home, I mean?"
"The Square," she answered, "and there is the 'bus coming, to gather me
in, and you still haven't told me why I shocked your voice into that
undernote of astonishment."
Public-domain text, read in full here on John Shaqi.
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