"When I came back from abroad, you begged me to rid myself of foreign
affectations," she announced. "He was one of them and I took your
advice."
"I only begged you to drop your affectations of speech. What I called
your pidgin English," he assured her. "I didn't seek to hamper your
young affections."
"Then I will reply to your question in very colloquial American," she
retorted. "As to the duke--I tied a can to him." She turned and ran
lightly up the stairs.
* * * * *
Paul had sat through the opera that evening with his customary intensity
of interest--but the chatter in the box had irritated him. He had been,
of late, seeing a great deal of Loraine Haswell, and he thought she at
least might have sympathized with his mood and refrained from
disconcerting small talk. Their intimacy had so ripened that she should
have understood how the things he had to say in their tete-a-tetes could
not be uttered in company. So when she invited him to join her
supper-party he declined with a poor grace.
Paul Burton took the opera seriously, almost religiously, and as he
strolled in the foyer during an entr'acte, his annoyance grew. Was there
no place where one could enjoy the art of fellow-artists without having
one's spirit jarred out of all receptiveness?
Then he remembered the high perches of the less-fashionable devotees. He
had never been up there, but he had heard that the occupants of these
upper galleries frowned on noise and even refrained from applause,
drinking in the music as though it were too sacred a thing to treat as a
mere evening's entertainment. Following a momentary whim, he went out to
the box-office and bought a fresh ticket. Holding it in his hand, he
mounted above the parterre boxes and the grand-tier boxes, to the
highest and cheapest of the galleries where silence and an almost awed
concentration reigned. And there, when the lights came on again, he saw
a slender figure in a chair near him, leaning forward with her chin
resting on her hand, in an absolute fervor of interest. It was Miss
Terroll and again she was alone. Once more she impressed him as someone
purring with pleasure, and when the performance ended he found himself
on the sidewalk whimsically waiting for her to come down from her dollar
seat, among the gallery gods.
When he caught sight of her, she was slipping as quietly and
unobtrusively through the crowds of jewelled and fur-wrapped women and
men in evening-dress as though she were a mouse vanishing from a hall
of banqueting, to which she had surreptitiously crept for her crumb. She
did not look at the people about her. She did not seem to see them, for
her eyes were still languorous with memories of Tristan and Isolde. As
Paul touched her arm, she started and he hastened to say: "My car is
here. Won't you let me drive you down-town?"
Public-domain text, read in full here on John Shaqi.
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