Paul shook his head. "I'd rather be alone," he said. But as the two
elbowed their way through the crowd he found himself face to face with a
dark-haired, deep-eyed woman in fashionable and becoming mourning, upon
whose fingers sparkled a number of rings. The musician halted in his
tracks and turned desperately pale. He had heard that Loraine Haswell
had returned from Europe--and he had heard vague rumors which had deeply
shocked him. If they were based on truth it seemed improbable that she
would care to risk meeting any of her old associates. Yet when his eyes
encountered hers he found her laughing gaily, and he realized that,
whatever else had happened to Loraine Haswell, she had lost none of her
beauty.
"Loraine!" he exclaimed, his voice betraying his excitement, and she
responded calmly, but with no emotion, "Good-morning, Mr. Burton." It
was as though they had parted yesterday, but also as though they had
never met, save casually, before that parting; as though their lives had
never touched more intimately than in the brushing contact of
passers-by. To Paul it seemed very cruel and he was about to pass on
when she stopped him.
"Mr. Burton," she suggested, in a cautiously guarded voice, "I wish you
would send back my letters. I'm stopping at the Plaza."
The man was silent for a moment, then he said simply:
"I have already burned them."
She searched his eyes for a moment, and, seeming satisfied of their
truthfulness, smiled. "That will do just as well. Thank you. How silly
we were to write them, weren't we?"
Paul hurried after his guide, who had been deferentially waiting a few
steps distant, but at the entrance of the music-room he halted
again--and this time his cheeks blanched with a greater astonishment.
There, standing within arm's reach, was Marcia Terroll, though her face
was averted and she did not see him.
"What brings you here?" he asked in a low voice, and as she turned to
face him her hands went spasmodically to her breast.
"I didn't know that you would be here," she said faintly, but she did
not tell him that she had come in response to the same instinct which
draws pilgrims to shrines hallowed by association; because this had been
the temple of his art.
"They have promised," Paul told her, "to let me have fifteen minutes in
there undisturbed--to play my organ for the last time." His eyes met
hers and he added in an earnest undertone, "Won't you go with me,
Marcia?"
The woman's lashes glistened with a sudden moisture. "Are you sure you
wouldn't rather be--quite alone? Isn't it rather sacred to you?"
"That is why I want you," he eagerly declared. "It will be something to
remember afterward."
Public-domain text, read in full here on John Shaqi.
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