Wilder groups danced, not in pairs, but in trios and quartettes with
arms locked around shoulders--and it wanted a half-hour of the changing
year.
Thin ribbons of bright paper volleyed rocket-wise from table to table
and fell in festoons from overhead wires. Dancers forced their way
through showers of breaking strands, and swayed rhythmically on,
trailing broken shreds of kaleidoscopic color.
Like punctuations of sound came the popping of balloons and corks.
Paul Burton's hosts had arrived at the stage of mellow exhilaration, but
over Paul himself, as his eyes met the great clock which was to herald
the eventful moment, fell a sudden shadow of black depression. Another
year to face! He thought of what he had promised to do with this
one--and of what he had done! Those last moments in his music-room rose
to his memory and they carried a penalty which slugged his heart into an
intensity of shame and misery. Paul Burton, sitting there with this thin
semblance of merriment around him, saw himself once again very clearly
for what he was.
Thayre leaned over. "I say, men," he suggested with the enthusiasm of a
new and bright idea sparkling in his eyes, "let's call the head waiter
and have Burton play for us. The management will be jolly well pleased
when they know they're getting the greatest instrumentalist in New
York."
Paul protested, but Thayre was a man of quick action, and a moment
later the waiter had brought the head waiter, and the head waiter had
gone for the manager.
Such patrons as these the manager had every wish to oblige, and he was
by no means unwilling to utilise such an artist as Paul Burton when the
lights came on again and his patrons rose to their feet for the national
anthem.
"Of course," cautioned Thayre, "Mr. Burton doesn't want his name
announced," and even to that restriction, limiting the value of his
extemporaneous "feature," the manager reluctantly acceded.
To live for music and to have no instrument with which to express one's
emotions means a tortured privation of the spirit. Paul Burton, as he
took his seat at the piano, forgot that it was New Year's eve on
Broadway, forgot the lights, the confetti and the toy balloons. He
remembered only that here were keys which unlocked his dream-world of
music, and when he began to play the clamor of the place slowly and
quite unconsciously subsided, and quiet came--not at once, but as a
delirium may soften slowly into sleep under the stroke of a soothing
hand.
When from an outlying table a woman, grown louder of laughter than she
realized, interrupted this quiet, a score of faces turned angrily in her
direction, rebuking her with their glances.
Public-domain text, read in full here on John Shaqi.
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