A spark of returned sanity crept into the dying woman's pupils and she
groaned. "No one here! I remember," she said while she shook with a
sudden realization. "I remember--they're all gone." Her gaze traveled
around the squalid room, and realized what that meant, too. "Am I
dying?" she inquired. The physician murmured something evasive, and from
her thin lips broke a low, smothered outcry. "Yes," she said, striving
to rise and falling back, "I'm dying--alone--abandoned--by myself--in
this attic."
Then her eyes closed. The physician bent over the bed with his fingers
on the pulse, and then bent his ear to the breast.
"We have nothing more to do here," he announced briefly, "except to
notify her daughter and the coroner. Have you the young woman's 'phone
number?"
The landlord nodded.
All of these scraps of information were received by Mr. Abey Lewis. He
had taken his place near the 'phone and stood sentinel there. But when
the second communication arrived he procured a pair of clippers from the
stage carpenter and quietly cut the connecting wire close to the wall
where it would not show. He was taking no imprudent chances.
* * * * *
Smitherton reached the theater early and stood for a while at the elbow
of the ticket-taker, watching the throngs crowd in. But at the
commencement of the performance he went inside and sat near the back of
the house. It was only when he knew that Mary's act was due in a few
minutes that he went behind. She might want just a word or smile of
encouragement at the final moment.
For Mary this had been a morning and afternoon of soul-trying torture
and she had been sustained only by the knowledge that she was doing what
she was doing not for herself--but for those helpless ones whom she
loved.
As the moment drew nearer, she strained more tightly that elastic and
strong thread of courage which had so far held. As an antidote to the
increased loathing she fixed her mind on one supporting thought and
tried to hold it focused there. Tomorrow she could begin looking for
better quarters, and then the two old people should return, not to the
lavish wealth of former times, but to its more essential comfort.
She heard the orchestra tuning for the overture, and shivered. She felt
much more like a victim waiting her turn to be thrown to the lions than
a young woman about to make her debut as a "headliner." To herself she
kept repeating under her breath, "Tomorrow they will be comfortable
again." She did not know that already they were comfortable without her
assistance and that her ordeal was pitifully wasted.
Public-domain text, read in full here on John Shaqi.
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