“Sorrow a bit for the matter o’ that: my master is never ill to a jontleman.” And with this assurance “the Beau’s keeper” ushered me up a splendid staircase into a large, dreary, faded apartment, and left me to amuse myself with the curiosities within, while he went to perform a cure upon his master’s “megrims.” The chamber, suiting with the house and the owner, looked like a place in the other world set apart for the reception of the ghosts of departed furniture. The hangings were wan and colourless; the chairs and sofas were most spiritually unsubstantial; the mirrors reflected all things in a sepulchral sea-green; even a huge picture of Mr. Fielding himself, placed over the chimney-piece, seemed like the apparition of a portrait, so dim, watery, and indistinct had it been rendered by neglect and damp. On a huge tomb-like table in the middle of the room, lay two pencilled profiles of Mr. Fielding, a pawnbroker’s ticket, a pair of ruffles, a very little muff, an immense broadsword, a Wycherley comb, a jackboot, and an old plumed hat; to these were added a cracked pomatum-pot containing ink, and a scrap of paper, ornamented with sundry paintings of hearts and torches, on which were scrawled several lines in a hand so large and round that I could not avoid seeing the first verse, though I turned away my eyes as quickly as possible; that verse, to the best of my memory, ran thus: “Say, lovely Lesbia, when thy swain.” Upon the ground lay a box of patches, a periwig, and two or three well thumbed books of songs. Such was the reception-room of Beau Fielding, one indifferently well calculated to exhibit the propensities of a man, half bully, half fribble; a poet, a fop, a fighter, a beauty, a walking museum of all odd humours, and a living shadow of a past renown. “There are changes in wit as in fashion,” said Sir William Temple, and he proceeds to instance a nobleman who was the greatest wit of the court of Charles I., and the greatest dullard in that of Charles II.* But Heavens! how awful are the revolutions of coxcombry! what a change from Beau Fielding the Beauty, to Beau Fielding the Oddity! * The Earl of Norwich. After I had remained in this apartment about ten minutes, the great man made his appearance. He was attired in a dressing-gown of the most gorgeous material and colour, but so old that it was difficult to conceive any period of past time which it might not have been supposed to have witnessed; a little velvet cap, with a tarnished gold tassel, surmounted his head, and his nether limbs were sheathed in a pair of military boots. In person he still retained the trace of that extraordinary symmetry he had once possessed, and his features were yet handsome, though the complexion had grown coarse and florid, and the expression had settled into a broad, hardy, farcical mixture of effrontery, humour, and conceit.