Devil -- Fiction; Devil in literature; Short stories
The midnight mass is beginning in the chapel of the château, which is
a cathedral in miniature, with groined and vaulted roofs, oak
wood-work as high as the walls, expanded draperies, and tapers all
aglow. And what a lot of people! What grand dresses! First of all,
seated in the carved stalls that line the choir, is the Lord of
Trinquelague in a coat of salmon-coloured silk, and about him are
ranged all the noble lords who have been invited.
On the opposite side, on velvet-covered praying-stools, the old
dowager marchioness in flame-coloured brocade, and the youthful Lady
of Trinquelague wearing a lofty head-dress of plaited lace in the
newest fashion of the French court, have taken their places. Lower
down, dressed in black, with punctilious wigs, and shaven faces, like
two grave notes among the gay silks and the figured damasks, are seen
the bailiff, Thomas Arnoton, and the notary Master Ambroy. Then come
the stout major-domos, the pages, the horsemen, the stewards, Dame
Barbara, with all her keys hanging at her side on a real silver ring.
At the end, on the forms, are the lower class, the female servants,
the cotter farmers and their families; and lastly, down there, near
the door, which they open and shut very carefully, are messieurs the
scullions, who enter in the interval between two sauces, to take a
little whiff of mass; and these bring the smell of the repast with
them into the church, which now is in high festival and warm from the
number of lighted tapers.
Is it the sight of their little white caps that so distracts the
celebrant? Is it not rather Garrigou’s bell? that mad little bell
which is shaken at the altar foot with an infernal impetuosity that
seems all the time to be saying: “Come, let us make haste, make
haste.... The sooner we shall have finished, the sooner shall we be at
table.” The fact is that every time this devil’s bell tinkles the
chaplain forgets his mass, and thinks of nothing but the midnight
repast. He fancies he sees the cooks bustling about, the stoves
glowing with forge-like fires, the two magnificent turkeys, filled,
crammed, marbled with truffles....
Public-domain text, read in full here on John Shaqi.
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