Devil -- Fiction; Devil in literature; Short stories
I. (A. R.) Why is A like B? (answerable): as, Why is a gentleman who
gives a young lady a young dog, like a person who rides rapidly up
hill? A. Because he gives a gallop up (gal-a-pup).
_Sub-variety_; depending upon a violation of something like the
“principle of excluded middle,” a very fallacy of a fallacy; such as
the ancient “nigger-minstrel!” case, Why is an elephant like a brick?
A. Because neither of them can climb a tree.
II. (A. D.) Why is A _unlike_ B? (answerable) usually put thus: What
is the difference between A and B? (Figure I., if worded in the same
style, would become: What is the similarity between A and B?): as,
What is the difference between the old United-States Bank and the
Fulton Ferry-boat signals in thick weather? A. One is a fog whistle,
and the other is a Whig fossil.
III. (U. R.) Why is A like B? (unanswerable): as Charles Lamb’s
well-known question, Is that your own hare, or a wig?
IV. (U. D.) Why is A _unlike_ B? (unanswerable): i. e., What is the
difference, &c, as, What is the difference between a fac simile and a
sick family; or between hydraulics and raw-hide licks?
But let me not diverge too far into frivolity. All the hopefully
difficult questions Dr. Hicok set down and classified. He compiled a
set of rules on the subject, and indeed developed a whole philosophy
of it, by which he struck off, as soluble, questions or classes of
them. Some he thought out himself; others were now and then answered
in some learned book, that led the way through the very heart of one
or another of his biggest mill-stones.
So it was really none too much time that he had; and, in truth, he did
not actually decide upon his three questions, until just a week before
the fearful day when he was to put them.
It came at last, as every day of reckoning surely comes; and Dr.
Hicok, memorandum in hand, sat in his comfortable library about three
o’clock on one beautiful warm summer afternoon, as pale as a sheet,
his heart thumping away like Mr. Krupp’s biggest steam-hammer at
Essen, his mouth and tongue parched and feverish, a pitcher of cold
water at hand from which he sipped and sipped, though it seemed as if
his throat repelled it into “the globular state,” or dispersed it into
steam, as red-hot iron does. Around him were the records of the vast
army of doubters and quibblers in whose works he had been hunting, as
a traveller labours through a jungle, for the deepest doubts, the most
remote inquiries.
Public-domain text, read in full here on John Shaqi.
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