Her memoirs are, unfortunately, not a literary performance; and their method, if such it can be called, is not chronological. Beginning with an account of her first introduction to Lucifer, _vis-a-vis_ in the _Sanctum Regnum_ of Charleston, on April 8th 1889, they leap, in the second chapter, over all the years intervening to a minute analysis of the sentiments which led to her conversion, and of the raptures which followed it, above all on the occasion of her first communion. It is not till the third chapter that we get an account of her Luciferian education, or, more correctly, an introduction thereto, for the better part of five monthly numbers has not brought us nearer to her personality than the history of an ancestor in the seventeenth century. As the publisher is still soliciting annual subscriptions to the enterprise, and offering a variety of advantages after methods not unknown in England among the by-ways of periodical literature, the completion of the work is probably a distant satisfaction for those who take interest therein. Now, having regard to the narrative of Dr Bataille, and having regard to the statements set forth in my second chapter, it is obvious that Miss Vaughan is a witness of the first importance as to whether there is a Masonry behind Masonry, which, more or less, manages, or attempts to manage, the entire society, unknown to the rank and file of its initiates, however high in grade; as to whether its seat is at Charleston, with Albert Pike for its founder, and as to whether its doctrine is anti-Christian, and its cultus that of Lucifer, supported by magical wonders, concerned with sacrilegious observances, and either a disguised Satanism, or drifting in that direction. As already hinted, the mythical and miraculous element,--in a word, that portion of Doctor Bataille's narrative which does violence to sense and reason,--Miss Vaughan has not at present imperilled her position by substantiating, but as to the points I have enumerated, she has most distinctly come forth out of Palladism to tell us that these things are so, and to reinforce what was previously stated by unveiling her private life.